Martin F. Krause, Turner in Indianapolis: The Pantzer Collection of Drawings and Watercolors by J.M.W. Turner and his Contemporaries at the Indianapolis Museum of Art, Indianapolis 1997, p.267 (transcribed from Hannah Cooper, ‘The Cooper Notebooks’, circa 1853–8, Indianapolis Museum of Art, vol.II, p.6 no.2, as ‘Temple of Jupiter Aegina’ or no.3, ‘Variation of D[itt]o’).
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p.645 no.872, as ‘The Temple of Jupiter, Ægina’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.323, CXVIII S (Vaughan Bequest).
Liber Studiorum: J.M.W. Turner: Miniature Edition Containing Reproductions (I.) from First Published State of the Seventy-One Published Plates, and (II.) of the Original Drawings for, or Engraver’s Proofs of, All the Unpublished Plates as the Artist Left Them, London and Glasgow 1911, reproduced p.91 no.77.
Untitled typescript list of works relating to 1921 and 1922 Liber Studiorum exhibitions, [circa 1921], Tate exhibition files, Tate Archive TG 92/9/2, p.4.
Alexander J. Finberg, The History of Turner’s Liber Studiorum with a New Catalogue Raisonné, London 1924, reproduced p., p.309 under no.77, ‘The Temple of Jupiter in the Island of Ægina’.
Martin Hardie, The Liber Studiorum Mezzotints of Sir Frank Short, R.A., P.R.E. after J.M.W. Turner, R.A. Catalogue & Introduction, London 1938, p.57.
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.98.
John Gage, ‘Turner and the Greek Spirit’, Turner Studies, vol.1, no.2, 1981, reproduced p.17 fig.5, p.18.
David Blayney Brown, Turner and Byron, exhibition catalogue, Tate Gallery, London 1992, p.87.
Gillian Forrester, Turner’s ‘Drawing Book’: The Liber Studiorum, exhibition catalogue, Tate Gallery, London 1996, pp.14, reproduced p.140, pp.141 no.77i, 160, 163.