J.M.W. Turner
Joseph Mallord William Turner Three Sketches of Waterloo: The Battlefield and La Belle Alliance from the South; Two Views of Hougoumont 1817
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Joseph Mallord William Turner, Three Sketches of Waterloo: The Battlefield and La Belle Alliance from the South; Two Views of Hougoumont 1817 -
Joseph Mallord William Turner, Three Sketches of Waterloo: The Battlefield and La Belle Alliance from the South; Two Views of Hougoumont 1817 (Enhanced image)Enhanced image
Joseph Mallord William Turner,
Three Sketches of Waterloo: The Battlefield and La Belle Alliance from the South; Two Views of Hougoumont
1817
Folio 22 Verso:
Three Sketches of Waterloo: The Battlefield and La Belle Alliance from the South; Two Views of Hougoumont 1817
D12743
Turner Bequest CLX 22a
Turner Bequest CLX 22a
Pencil on white wove paper, 150 x 94 mm
Inscribed by Turner in pencil (see main catalogue entry)
Inscribed by Turner in pencil (see main catalogue entry)
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.463, CLX 22a, as ‘Three sketches’, with transcriptions.
1984
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.105.
1991
Cecilia Powell, Turner’s Rivers of Europe. The Rhine, Meuse and Mosel, exhibition catalogue, Tate Gallery, London 1991, pp.58 note 11, 195–6.
1994
A.G.H. Bachrach, Turner’s Holland, exhibition catalogue, Tate Gallery, London 1994, pp.15, 16, 37–8.
1995
Cecilia Powell, Turner in Germany, exhibition catalogue, Tate Gallery, London 1995, pp.23, 76 note 7.
2001
A.G.H. Bachrach, ‘Field of Waterloo, The’, in Evelyn Joll, Martin Butlin and Luke Herrmann (eds.), The Oxford Companion to J.M.W. Turner, Oxford 2001, p.106.
2015
Cecilia Powell, ‘The Field of Waterloo: Turner’s Guernica’, Turner Society News, no.123, Spring 2015, p.18 note 1.
For Turner at Waterloo in 1817 see Introduction to this sketchbook and notes to folio 16 verso (D12731).
Turner divided this page into horizontal strips, to make three sketches. At the top, he drew the battlefield looking north from the French lines with the Belle Alliance inn on the right and the farm of La Haye Sainte in the middle distance; for these buildings see especially notes to folio 20 verso (D12739). Relative to this sketch, annotations mark the distant ‘British lines | Corner of Hill’ towards top left, ‘French lines’ towards bottom left, ‘Haye Sainte’ above the centre, and ‘Belle Alliance’ at top right.
Below are two quick outlines of Hougoumont, the small château to the west of the field which the Scots and Coldstream Guards held throughout repeated French attacks and shelling that set the roof ablaze. In the middle of the page is a view of the south side of the château with its wooden gates and the ruins of a single–story extension projecting forwards from it, inscribed on the right ‘Orchard Entrance |of Hugomont’. Below, continued on folio 23 recto opposite (D12744), is the ‘Side wall of | Hugomont’, as noted towards the bottom right of this page.
Turner’s sketches of Hougoumont running to folio 26 recto (D12749) informed his depiction of it (albeit only in a general sense), still burning during the night after the battle, in his painting The Field of Waterloo, exhibited in 1818 (Tate N00500).1 For a plan of Hougoumont and notes on the action there see folio 24 verso (D12746).
David Blayney Brown
June 2025
How to cite
David Blayney Brown, ‘Three Sketches of Waterloo: The Battlefield and La Belle Alliance from the South; Two Views of Hougoumont 1817’, catalogue entry, June 2025, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, June 2026, https://www
