Art Term

Found object

A found object is a natural or man-made object, or fragment of an object, that is found (or sometimes bought) by an artist and kept because of some intrinsic interest the artist sees in it

Michael Landy, ‘Costermonger’s Barrow II’ 1991
Michael Landy
Costermonger’s Barrow II 1991
Lent by the American Fund for the Tate Gallery, courtesy of Angela Westwater, 2001
© Michael Landy

Found objects (sometimes referred to by the French term for found object ‘objet trouvé’) may be put on a shelf and treated as works of art in themselves, as well as providing inspiration for the artist. The sculptor Henry Moore for example collected bones and flints which he seems to have treated as natural sculptures as well as sources for his own work. Found objects may also be modified by the artist and presented as art, either more or less intact as in the dada and surrealist artist Marcel Duchamp’s readymades, or as part of an assemblage.

As so often, Picasso was an originator. From 1912 he began to incorporate newspapers and such things as matchboxes into his cubist collages, and to make his cubist constructions from various scavenged materials.

Extensive use of found objects was made by dada, surrealist and pop artists, and by later artists such as Carl Andre, Tony Cragg, Bill Woodrow, Damien Hirst, Sarah Lucas and Michael Landy among many others.

Browse the slideshow below and read the image captions to explore some of the ways artists have used found objects in their work:

Henry Moore OM, CH, ‘Animal Head’ 1951
Henry Moore OM, CH
Animal Head 1951
Tate
© The Henry Moore Foundation. All Rights Reserved

Henry Moore often used the natural objects he collected on his coutryside walks –stones, shells, bits of tree root – to inspire his sculptures. For Animal Head 1951 he seems to have made direct use of a found stone, using its natural form as the basis for this skull-like head.

Marcel Duchamp, ‘Fountain’ 1917, replica 1964
Marcel Duchamp
Fountain 1917, replica 1964
Tate
© Succession Marcel Duchamp/ADAGP, Paris and DACS, London 2017

Marcel Duchamp made up the term ‘readymade’ to describe his sculptures made from manufactured objects. His infamous Fountain 1917, an upturned urinal, shocked the art world, raising questions about what art is and the role of the artist. (Find out more about Duchamp’s readymades).

Salvador Dalí, ‘Lobster Telephone’ 1936
Salvador Dalí
Lobster Telephone 1936
Tate
© Salvador Dali, Gala-Salvador Dali Foundation/DACS, London 2017

Surrealist artists inspired by psychologist Sigmund Freud’s writings about the unconscious and dreams, often juxtaposed unlikely combinations of found objects to create surprising and unsettling sculptures, such as Salvador Dali's Lobster Telephone 1936. (See the glossary definition for the uncanny for more about this).

Piero Manzoni, ‘Artist’s Shit’ 1961
Piero Manzoni
Artist’s Shit 1961
Tate
© DACS, 2017

Conceptual artists such as Piero Manzoni, inspired by Marcel Duchamp’s ideas, made extensive used of found objects. Manzoni’s readymade objects sometimes included his own bodily excretions (his breath and his faeces)

Carl Andre, ‘Equivalent VIII’ 1966
Carl Andre
Equivalent VIII 1966
Tate
© Carl Andre/VAGA, New York and DACS, London 2017

Minimalist artists such as Carl Andre used functional manufactured objects to create their minimal sculptures. Their aim was to get the viewer focus on the form of the sculptures rather than the artist’s skill or technique.

Jannis Kounellis, ‘Untitled’ 1969
Jannis Kounellis
Untitled 1969
Tate / National Galleries of Scotland
© Jannis Kounellis

Artists of the arte povera movement made use of a wide range of natural and everyday materials including, soil, rags and twigs. Arte povera means literally ‘poor art’ and its artists used throwaway materials in order to challenge and disrupt the values of the commercialised art world.

Damien Hirst, ‘Mother and Child (Divided)’ exhibition copy 2007 (original 1993)
Damien Hirst
Mother and Child (Divided) exhibition copy 2007 (original 1993)
Tate
© Damien Hirst and Science Ltd.

YBA artists such as Damien Hirst and Sarah Lucas make extensive use of natural and manufactured found objects in their work. Hirst uses skulls, shells, butterflies, dead animals and shells to explore themes of life and death.

Mark Dion, ‘Tate Thames Dig’ 1999
Mark Dion
Tate Thames Dig 1999
Tate
© Mark Dion

Collecting and categorising objects in order to understand the cultures that created them is another use of found objects often seen in the work of contemporary artists. For his artwork Tate Thames Dig, Mark Dion and a group of volunteers combed the banks of the River Thames for objects. These were then cleaned, catalogued and presented in a double sided old-fashioned cabinet.

Ian Kiaer, ‘Brueghel Project / Casa Malaparte’ 1999
Ian Kiaer
Brueghel Project / Casa Malaparte 1999
Tate
© Ian Kiaer

Contemporary artists such as Ian Kiaer and Cathy Wilkes juxtapose found objects to create powerful or poetic narratives which explore aspects of society or history.

Related techniques and processes

Art Term

Readymade

The term readymade was first used by French artist Marcel Duchamp to describe the works of art he made from ...

Art Term

Assemblage

Assemblage is art that is made by assembling disparate elements – often everyday objects – scavenged by the artist or ...

Art Term

Appropriation

Appropriation in art and art history refers to the practice of artists using pre-existing objects or images in their art ...

Art Term

The uncanny

A concept in art associated with psychologist Sigmund Freud which describes a strange and anxious feeling sometimes created by familiar ...

Related groups and movements

Explore this term

Selected artists in the collection

Found object at Tate