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Koshimizu investigates the substance of wood by sawing planks into different shapes, exposing their surface qualities through different kinds of repetitive cuts. The geometric lines produced by an industrial saw contrast with the slight irregularities resulting from missing chips, slips of the saw, and rough surface of certain edges. Koshimizu was part of Mono Ha (‘School of Things’), which reacted against the embrace of technology and visual trickery in mid-1960s Japanese art. They sought to understand ‘the world as it is’ by exploring the essential properties of materials, often combining organic and industrial objects and processes.