Originally the name of the official art exhibitions organised by the French Royal Academy of Painting and Sculpture (Académie Royale de Peinture et de Sculpture) and its successor the Academy of Fine Arts (Académie des Beaux Arts)

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  • André Derain, 'The Pool of London' 1906

    Andr Derain
    The Pool of London 1906
    Oil on canvas
    support: 657 x 991 mm frame: 794 x 1130 x 76 mm
    Presented by the Trustees of the Chantrey Bequest 1951 ADAGP, Paris and DACS, London 2002

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  • Georges Seurat, 'Clothes on the Grass' 1883

    Georges Seurat
    Clothes on the Grass 1883
    Oil on wood
    frame: 288 x 370 x 41 mm support: 162 x 248 mm
    Presented by Alex Reid and Lefevre 1926

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  • Odilon Redon, 'Profile of a Woman with a Vase of Flowers' circa 1895-1905

    Odilon Redon
    Profile of a Woman with a Vase of Flowers circa 1895-1905
    Oil on canvas
    support: 655 x 505 mm
    Presented anonymously 1989

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From 1725 the exhibitions were held in the room called the salon carré in the Louvre and became known simply as the salon. This later gave rise to the generic French term of ‘salon’ for any large mixed art exhibition. By the mid nineteenth century the academies had become highly conservative, and by their monopoly of major exhibitions resisted the rising tide of innovation in naturalism, realism, impressionism and their successors.

By about 1860 the number of artists being excluded from the official salon became so great and such a scandal that in 1863 the government was forced to set up an alternative, to accommodate the refused artists. This became known as the salon des refusés. Three further salons des refusés were held in 1874, 1875 and 1886.

In 1884 the salon des Indépendents was established by the neo-impressionists, Georges Seurat and Paul Signac, together with Odilon Redon, as an alternative exhibition for innovatory or anti-academic art. It held annual exhibitions until the start of the First World War.

In 1903 the salon d’automne was founded, also as an alternative exhibition for innovatory artists. It was there that fauvism came to public attention in 1905. The salon d’automne continues to be held in Paris every year.

From then on salon became a generic French term for a large mixed exhibition.