Press Release

New £125 Million national collection will bring contemporary art to audiences across Britain

A new modern art collection, to be known as ARTIST ROOMS, has been established, it was announced today, created through one of the largest and most imaginative gifts of art ever made to museums in Britain. The gift has been made by Anthony d’Offay, with the assistance of the National Heritage Memorial Fund (NHMF), The Art Fund and the Scottish and British Governments. ARTIST ROOMS will be jointly owned and managed by National Galleries of Scotland and Tate on behalf of the nation.

The collection of 725 works, representing one of the most important holdings of post-war and contemporary international art in private hands, was assembled by Anthony d’Offay, whose London galleries played a key role in the promotion and understanding of twentieth-century art in the UK over a period of more than 30 years.

Anthony d’Offay assembled the collection through his gallery over 28 years. The transfer of ownership is being made under a part gift/part sale at cost agreement. The cost of the collection to Anthony d’Offay was some £26.5 million, and he asked for and will receive £26.5 million, i.e. the original costs of these works. The collection has been valued today at £125 million.

Anthony d’Offay’s guiding principle for the creation of ARTIST ROOMS is the concept of individual rooms devoted to particular artists. Many of these rooms were conceived as specific installations by the artists themselves. They have been assembled so that the work of important post-war artists can be seen and appreciated in depth. The primary aim is to create a new national resource of contemporary art that will strengthen displays and create exhibitions in museums and galleries throughout the UK so as to inspire new audiences, especially of young people. It is hoped that the donation by Anthony d’Offay will establish a precedent for philanthropy to be followed by other collectors.

ARTIST ROOMS takes the form of 50 rooms of contemporary art by 25 artists:
Diane Arbus (3 rooms), Joseph Beuys (5), Vija Celmins (1), Ian Hamilton Finlay (1), Gilbert & George (2), Johann Grimonprez (1), Damien Hirst (1), Jenny Holzer (1), Alex Katz (1), Anselm Kiefer (3), Jeff Koons (2), Jannis Kounellis (4), Sol LeWitt (1), Richard Long (2), Robert Mapplethorpe (3), Agnes Martin (1), Ron Mueck (1), Bruce Nauman (2), Gerhard Richter (3), Ed Ruscha (1), Robert Therrien (2), Bill Viola (1), Andy Warhol (6), Lawrence Weiner (1), and Francesca Woodman (1). In addition, there are ten works by a further seven artists: Georg Baselitz, Ellen Gallagher, Richard Hamilton, Mario Merz, Charles Ray, Robert Ryman and Cy Twombly.

A series of opening displays will be launched in Spring/Summer 2009 and staged at Tate galleries and the National Galleries of Scotland and a wide range of partner museums and galleries across the UK. The initial partners include Aberdeen Art Gallery & Museums; De La Warr Pavilion, Bexhill; Firstsite,Colchester; Glasgow Museums; Inverness Museum and Art Gallery; National Museum of Wales, Cardiff; New Art Gallery, Walsall; MIMA, Middlesbrough; The Pier Arts Centre, Orkney;Ulster Museum, National Museums Northern Irelandand Wolverhampton Art Gallery. Additional galleries will be sought with which we hope to collaborate in 2009 and beyond.

ARTIST ROOMS will transform the nation’s collections of contemporary art as a whole. It will materially strengthen Tate’s ability to represent some of the most important art of the latter half of the twentieth century, and establish Edinburgh as a world-class destination for modern art. It will significantly enhance the way in which both institutions are able to represent post-war and contemporary art in their permanent displays.

The costs, which include the purchase of the artworks and set up and accessioning are £28 million. These costs have been met by £10 million each from both the Scottish and British Governments, £7 million from the National Heritage Memorial Fund, and £1 million from The Art Fund. All taxes have been paid in full. 

The agreement also includes a provision for the establishment of a £5 million endowment fund by the National Galleries of Scotland and Tate, the interest from which will be used for the acquisition of further rooms by important contemporary artists and emerging young artists, ensuring that the collection can continue to grow in the future.  An initial contribution of £500,000 each from the National Galleries of Scotland and Tate has been made towards the £5 million endowment fund. The museums have asked Anthony d’Offay, to serve as an unpaid ex officio curator for a period of 5 years, and he has agreed.

Anthony d’Offay’s donation also includes the gallery archive of over 1,000 boxes which provides a unique record of contemporary art over a thirty year period.

John Leighton, Director of the National Galleries of Scotland, said: “Anthony d’Offay’s immense generosity and powerful vision lie behind this innovative partnership. At a stroke our level of ambition has been raised to a new height and there is now the potential to bring great modern art to our publics, not just in Edinburgh and London, but right across the country, from St Ives to Stromness.”

Nicholas Serota, Director, Tate said: “A gift of this magnitude will completely transform the opportunity to experience contemporary art in the UK. Anthony d’Offay’s imaginative generosity establishes a new dynamic for national collections and is without precedent anywhere in the world.”

Carole Souter, Director of NHMF said: “Anthony d’Offay’s wonderful collection of modern and contemporary art is one of the most important in private hands anywhere in the world. The National Heritage Memorial Fund’s £7 million grant is safeguarding an extraordinarily rich collection of works for future generations to explore and enjoy.”

David Barrie, Director of The Art Fund, said:

Anthony d’Offay’s exceptional generosity has given us a once in a lifetime opportunity to transform the nation’s collections of the very best international modern art.  The Art Fund, the only private sector contributor to the funding package, has given the second largest grant in its history to ensure that this extraordinary collection can be a source of inspiration to everyone throughout the UK, now and always.