Skip navigation

Main menu

  • What's On
  • Visit
  • Art
    • Discover Art
    • Artists
    • Artworks
    • Stories
    Stories
    Stories

    Watch, listen and read

  • Learn
    • Schools
    • Tate Kids
    • Research
    • Activities and workshops
    Tate Kids
    Tate Kids

    Games, quizzes and films for kids

  • Shop
Become a Member
  • View All
  • Exhibitions And Displays
  • On Today
  • Events
  • Tate Modern
  • Tate Britain
  • Tate St Ives
  • Tate Liverpool
  • Families
  • Accessibility
  • Schools
  • Private tours
  • Discover Art
  • Artists
  • Artworks
  • Stories
  • Schools
  • Tate Kids
  • Research
  • Activities and workshops
Tate home page

Try searching for...

  • A Bigger Splash
  • James McNeill Whistler
  • Julio Le Parc
  • Tate Britain Commission 2026
  • Tate Membership

DON'T MISS

Exhibition

Frida: The Making of an Icon

Tate Modern
Until 3 Jan 2027
FREE FOR MEMBERS
Exhibition

Hurvin Anderson

Tate Britain
Until 23 Aug 2026
FREE FOR MEMBERS
Become a Member
  • Research
  • Tate Papers
  • Tate Papers no.14

ISSN 1753-9854

Tate Papers no.14 Autumn 2010

Read about William Blake’s exhibition of 1809, drawing as a modern art practice, and the concept of the sublime. The issue also has articles on the Russian artists Naum Gabo and Liubov Popova, and on the British artist Richard Hamilton.

In this Issue

Naum Gabo as a Soviet Émigré in Berlin

Christina Lodder

Liubov Popova: From Painting to Textile Design

Christina Lodder

Richard Hamilton’s The annunciation

Fanny Singer

Damien Hirst’s Shark: Nature, Capitalism and the Sublime

Luke White

William Blake’s 1809 Exhibition

Martin Myrone and David Blayney Brown

An Alternative National Gallery: Blake’s 1809 Exhibition and the Attack on Evangelical Culture

Susan Matthews

Lost in the Crowd: Blake and London in 1809

Philippa Simpson

Reasoned Exhibitions: Blake in 1809 and Reynolds in 1813

Konstantinos Stefanis

Surviving Reality: Lee Bontecou’s Worldscapes

Jo Applin

Dust and Doubt: The Deserts and Galaxies of Vija Celmins

Stephanie Straine

Cinematic Drawing in a Digital Age

Ed Krčma

Merzzeichnung: Typology and Typography

Michael White

‘Suffer a Sea-Change’: Turner, Painting, Drowning

Sarah Monks

Listening for the Sublime: Aural-Visual Improvisations in Nineteenth-Century Musical Art

Charlotte Purkis

‘Waste Dominion’, ‘White Warfare’, and Antarctic Modernism

Mark Rawlinson

Video Games and the Technological Sublime

Eugénie Shinkle

Ideas in Transmission: LeWitt’s Wall Drawings and the Question of Medium

Anna Lovatt

Artwork
Close

Join in

  • Twitter
  • Facebook
  • YouTube
  • Instagram
  • Pinterest

Sign up to emails

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Tate’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • Picture library
  • ARTIST ROOMS
  • Tate Kids

Support

  • Tate Collective
  • Members
  • Patrons
  • Donate
  • Corporate
  • My account
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2026
All rights reserved