Sandra Lahire Edge 1986, film still. Courtesy LUX
Booking Closed Tate Modern Film

From reel to real: women, feminism and the London Film-makers’ Co-operative

19 September 2016
23–25 September 2016

Sandra Lahire Edge 1986, film still. Courtesy LUX

Join a series of screenings and discussions dedicated to the women filmmakers of the LFMC

As part of the 50th anniversary celebrations of the London Film-makers’ Co-op (LFMC), Tate Modern opens its Counter-Histories series with a programme dedicated to a rarely seen but remarkable ensemble of films – both single screen and expanded – made by women filmmakers since the 1970s in the context of the artist-led, cooperative organisation. Produced against a backdrop of growing feminist consciousness, these films built on the methods, processes and ethos associated with the Co-op to address the world outside of the projection room.

Programme

Collapsing the Frame Friday 23 September, 18.30

Reclaiming her Image Saturday 24 September, 13.00

Filmic Bodies Saturday 24 September, 16.15

Inside Out Saturday 24 September, 19.30

Trapped in Language Sunday 25 September, 14.00

‘Woman Tiger, Woman Dove’ Sunday 25 September, 17.00

Series Prologue

Weaving Time Monday 19 September, 19.00 at Tate Britain

From Reel to Real: Women, Feminism and the London Film-makers’ Co-op is curated by Maud Jacquin in partnership with LUX and Tate Film with the support of LUMA Foundation and FLUXUS. It is presented alongside LUX and Tate Britain’s monthly Co-op Dialogues series, which continues throughout the year. 

Venue

The programme opens with a screening and discussion at Tate Britain on 19 September, followed by a series of six screenings at Tate Modern from 23–25 September

Tate Modern
Bankside
London
SE1 9TG
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Dates

19 September 2016

23–25 September 2016