Kenneth Rowntree
1915–1997
© The estate of Kenneth Rowntree
License this image
© The estate of Kenneth Rowntree
License this image
In Tate Britain
Biography
Kenneth Rowntree (14 March 1915 – 21 February 1997) was a British artist. He was educated at Bootham School, York.
As a Quaker, he was a conscientious objector in the Second World War, as his father Howard Doncaster Rowntree (1879-1974) had been during the First World War. Kenneth worked for the War Artists' Advisory Committee from 1940.
He was one of the Great Bardfield Artists and taught at the Royal College of Art.
In 1939 Rowntree married architect Diana Rowntree née Buckley.
Rowntree worked with the architect Erno Goldfinger to produce coloured glass panels in Goldfinger's Alexander Fleming House (now Metro Central Heights in the Elephant and Castle.
In 2009 his studio was sold at auction in Newcastle-on-Tyne. The catalogue, written and researched by Steven Moore, included an introduction by Rowntree's friend and colleague John Milner.
Rowntree died on 21 February 1997.
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Read full Wikipedia entryArtworks
Kenneth Rowntree Cornish Landscape
1952
Kenneth Rowntree Tractor in Landscape
1945
Kenneth Rowntree Souvenir of Venice
1961
Kenneth Rowntree Welsh Print
1970
Kenneth Rowntree The Guitar Players
1933
Kenneth Rowntree Verlaine
1984
Kenneth Rowntree West Front, Durham
1976
Artist as subject
Rodrigo Moynihan Portrait Group
1951
Julian Trevelyan Scrapbook
14 December 1932–[c.1947]
J. Leger & Son (London, UK) J. Leger & Son exhibition catalogue titled ‘Exhibition of Paintings, Drawings & Sculptures: Nudes by Contemporary Artists’
January–February 1942
J. Leger & Son (London, UK) J. Leger & Son exhibition catalogue titled ‘Exhibition of “Nudes” By Contemporary Artists.’
1943
J. Leger & Son (London, UK) J. Leger & Son exhibition catalogue titled ‘Paintings, Water-colours & Sculptures by Contemporary Artists’
1943
Hampstead Artists Council (London, UK) Hampstead Artists’ Council souvenir exhibition catalogue titled ‘Hampstead Artists Past and Present’
1946
Features
MicroTate 34
Edward Platt, Sasha Devas, Elain Harwood and Wilhelm Sasnal reflect on a work in the Tate collection
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