Liam Gillick

born 1964

Liam Gillick, ‘Annlee You Proposes’ 2001
Annlee You Proposes 2001
© Tate/ Original work by Liam Gillick
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In Tate Britain

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Biography

Liam Gillick (born 1964) is an English conceptual artist who lives in New York City. He is often associated with the artists included in the 1996 exhibition Traffic, which first introduced the term Relational Art.

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Conceptual art Young British Artists (YBAs)

Artworks

Liam Gillick, ‘Annlee You Proposes’ 2001

Liam Gillick Annlee You Proposes

2001
T07901
Liam Gillick, ‘Returning to an Abandoned Plant’ 2007

Liam Gillick Returning to an Abandoned Plant

2007
T12428
Liam Gillick, ‘Big Conference Platform Platform’ 1998

Liam Gillick Big Conference Platform Platform

1998
T12429
Liam Gillick, ‘Pinboard Prototype #1 (Milan House Project)’ 1993

Liam Gillick Pinboard Prototype #1 (Milan House Project)

1993
T12427
Henry Bond, Liam Gillick, ‘Documents’ 1990–5

Henry Bond, Liam Gillick Documents

1990–5
View by appointment T14008
Liam Gillick, ‘[no title]’ 1994

Liam Gillick [no title]

1994
View by appointment P11428

Sorry, no image available

Liam Gillick Annlee You Proposes

2001
T14145

Sorry, no image available

Liam Gillick Libra Solidus Denarius

2013
P82097

Artist as subject

William Furlong, ‘POSSIBILITY & IMPOSSIBILITY OF FIXING MEANING Print 1: ‘I Remember Having a Conversation with Liam Gillick’’ 2009

William Furlong POSSIBILITY & IMPOSSIBILITY OF FIXING MEANING Print 1: ‘I Remember Having a Conversation with Liam Gillick’

2009
P20382

Film and audio

Tracey Emin, ‘My Bed’ 1998
Podcast

Walks of art: Grace Dent on the YBAs and Shoreditch

The journalist journeys through East London to explore the artists who lived and worked there in the nineties

Watch

Off the record - part 3

Panel discussion: Artists on Audio Arts, chaired by William Furlong

Liam Gillick, Michael Craig-Martin, Angela Bulloch

Still image of Liam Gillick: Artist’s Talk
Watch

Liam Gillick: Artist’s Talk

Liam Gillick talked to curator Jeremy Millar about the ideas and interests underpinning his work.

Features

Philippe Parreno, ‘6.00 PM’ 2000–6
Art Term

Relational aesthetics

Term created by curator Nicholas Bourriaud in the 1990s to describe the tendency to make art based on, or inspired ...

Laurence weiner The front cover of As Far as the Eye Can See book
Tate Etc

Books Etc. Lawrence Weiner

Claire Nichols

Claire Nichols reviews Lawrence Weiner’s As Far as the Eye Can See. Edited by Donna De Salvo and Ann Goldstein ...

Martin Creed The lights going on and off 2000
Tate Etc

But is it installation art?

Claire Bishop

What does the term ‘installation art’ mean? Does it apply to big dark rooms that you stumble into to watch ...

Keith Farquhar John Lewis Partnership 2000
Tate Papers

Awkward Relations

Neil Mulholland

This paper focuses on practices that captured critical and curatorial attention in Scotland and England at the turn of this ...

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