Max Carl Friedrich Beckmann (February 12, 1884 – December 27, 1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s, he was associated with the New Objectivity (Neue Sachlichkeit), an outgrowth of Expressionism that opposed its introverted emotionalism. Even when dealing with light subject matter like circus performers, Beckmann often had an undercurrent of moodiness or unease in his works. By the 1930s, his work became more explicit in its horrifying imagery and distorted forms with combination of brutal realism and social criticism, coinciding with the rise of nazism in Germany.
Artist as subject
Sketches, letters, etc.
Max Beckmann, recipient: Marie-Louise Von Motesiczky Letter from Max Beckmann[1927–8]
Max Beckmann, recipient: Marie-Louise Von Motesiczky Letter from Max Beckmann, Amsterdam16 April 1946
Max Beckmann, recipient: Marie-Louise Von Motesiczky Letter from Max Beckmann, Paris15 November 1929
Max Beckmann, recipient: Mathilde Beckmann Illustrated letter from Max Beckmann to Marie-Louise and Mathilde Beckmann (née von Kaulbach)January 1925