Rebecca Horn

born 1944

Rebecca Horn, ‘Concert for Anarchy’ 1990 — Concert for Anarchy 1990
© DACS, 2018
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In Tate Liverpool

Constellations: Joseph Beuys

Free entry

Biography

Rebecca Horn (born 24 March 1944, Michelstadt, Hesse) is a German visual artist, who is best known for her installation art, film directing, and her body modifications such as Einhorn (Unicorn), a body-suit with a very large horn projecting vertically from the headpiece. She directed the films Der Eintänzer (1978), La ferdinanda: Sonate für eine Medici-Villa (1982) and Buster's Bedroom (1990). Horn presently lives and works in Paris and Berlin.

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Artworks

Rebecca Horn, ‘Concert for Anarchy’ 1990

Rebecca Horn Concert for Anarchy

1990

T07517

Rebecca Horn, ‘Finger Gloves’ 1972

Rebecca Horn Finger Gloves

1972

T07845

Rebecca Horn, ‘Unicorn’ 1970–2

Rebecca Horn Unicorn

1970–2

T07842

Rebecca Horn, ‘Pencil Mask’ 1972

Rebecca Horn Pencil Mask

1972

T07847

Rebecca Horn, ‘Berlin Exercises: Dreaming under Water’ 1974–5

Rebecca Horn Berlin Exercises: Dreaming under Water

1974–5

T07625

Rebecca Horn, ‘Arm Extensions’ 1968

Rebecca Horn Arm Extensions

1968

T07857

Rebecca Horn, ‘Mechanical Body Fan’ 1973–4

Rebecca Horn Mechanical Body Fan

1973–4

T07851

Rebecca Horn, ‘White Body Fan’ 1972

Rebecca Horn White Body Fan

1972

T07844

Film and audio

Look Closer

Body Extensions and Isolation

Joey from Tate Collective London shares her perspective on Rebecca Horn's work In The Triangle

Still image of Jeanette Winterson - Conversations with Magic Stones

Watch

Jeanette Winterson - Conversations with Magic Stones

Prize-winning author, Jeanette Winterson, talked about work by four twentieth-century sculptors and installation artists who challenge the way we see ...

Features

Rebecca Horn, Performances I 1972 (film still)

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Rebecca Horn born 1944Moveable Shoulder Extensions 1971

Acatia Finbow

As part of Performance at Tate: Into the Space of Art, Acatia Finbow explores Rebecca Horn's Moveable Shoulder Extensions ...

Rebecca Horn Mechanical Bodyfan 1973–4

Tate Etc

Extending bodies

Lisa Le Feuvre

How artists have explored and utilised prosthetic technologies both to satirise humanity and help in the quest to expand the ...

Marey Trace of repeated muscular contractions

Tate Papers

Becoming Machine: Surrealist Automatism and Some Contemporary Instances

David Lomas

Involuntary Drawing

Henk Peeters White Feathers 2003

Tate Papers

Nothing but the Real Thing: Considerations on Copies, Remakes and Replicas in Modern Art

Lydia Beerkens

Lydia Beerkens. Nothing but the Real Thing: Considerations on Copies, Remakes and Replicas in Modern Art; Tate Papers, no.8

Participants in Tate Modern’s Summer Institute mapping connections between works shown in the History, Memory, Society suite, 2002

Tate Papers

Contemporary Art and the Role of Interpretation

Helen Charman and Michaela Ross

Recent research indicates that the taught curriculum in art and design secondary school education pays scant attention to meaning-making in ...

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