Stan Douglas (born October 11, 1960) is an artist based in Vancouver, British Columbia.
Douglas' film and video installations, photography and work in television frequently touch on the history of literature, cinema and music, while examining the "failed utopia" of modernism and obsolete technologies.
He has exhibited internationally, including Documenta IX, 1992, Documenta X, 1997, Documenta XI, 2002 and the Venice Biennale in 1990, 2001 and 2005.
Art collector Friedrich Christian Flick, in the foreword to the Stan Douglas monograph, describes Douglas as "a critical analysis of our social reality. Samuel Beckett and Marcel Proust, E.T.A. Hoffmann and the Brothers Grimm, blues and free jazz, television and Hollywood, Karl Marx and Sigmund Freud haunt the uncanny montages of the Canadian artist."
This paper focuses on three concepts central to the theory of conservation: authenticity, change and loss. These terms are explored ...