Not on display
- György Kepes 1906–2001
- Gouache on paper
- Support: 673 × 546 mm
- Presented by Michael and Jane Wilson in honour of Sir Nicholas Serota (Tate Americas Foundation) 2017
On long term loan
Green Leaves and Geometry is a gouache on paper made by György Kepes in the early 1940s. Relatively small in scale, the work is executed in black ink on a white background, highlighted by vibrant greens and blues. As the title suggests, it is a study of green leaves combined with geometric drawings. Kepes often took nature as his starting point, highlighting its fragility, however this study also shows his ongoing fascination with the relationship between art, nature and science in its bringing together of natural elements with geometric patterns (see also, Bird and Mastodon c.1940s [Tate L03979]). This combination of subject matter can be seen throughout his early practice across different media, including his photograms, camera-less photographic studies in which he used objects from nature such as twigs, leaves and organic forms alongside prisms and mechanical instruments (see Tate P80540, P80542–P80544, P80552–P80554 for examples).
These works highlight Kepes’s dedication to cross-disciplinary practice in his early career, which continued throughout his lifetime. Born in Hungary in 1906, he began his artistic practice in Budapest and Berlin, where he met and began working alongside László Moholy-Nagy (1895–1946). Known as a painter, sculptor, designer, photographer and educator, with a keen interest in the crossover between and innovation of art and science, Kepes was invited in 1937 by Moholy-Nagy to head the light department at the New Bauhaus (later the Institute of Design) in Chicago and then went on to teach at the Massachusetts Institute of Technology. Here his cross-disciplinary practice culminated in the foundation of the Centre for Advance Visual Studies which he conceived and directed until his retirement.
Judith Wechsler, Gyorgy Kepes, The MIT Years: 1945–1977, Cambridge, Massachusetts 1978.
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