Walter Richard Sickert

Born in Birmingham in the West Midlands, Minnie Cunningham was a ‘serio-comic’ singer and dancer in the music halls (fig.1). Her career began around 1888, during which year she performed at a number of London music halls, including the Oxford, the Parthenon and Collins’, being described as a ‘youthful singer and dancer’.1 Owing to confusion with an American actress of the same name born in 1855 there has formerly been a belief that she was, when Sickert painted her, a middle-aged performer,2 adding an extra layer of irony and salaciousness to the songs she sang about herself in the character of an innocent schoolgirl. But, in fact, Cunningham was a young woman in her early twenties when Sickert met her in 1892, and was described by the poet Arthur Symons in a letter to a friend as ‘very pretty, very nice, very young’.3

Cunningham was successful, and shared the bill with such stars as Ada Reeve, Marie Lloyd and Katie Lawrence, all of whose acts were also painted by Sickert (see, for example, fig.2).4 She adopted the stage persona and dress of a teenage girl and sang what Marie Lloyd described as ‘romping schoolgirl songs’.5 Like other such serio-comic performers, such songs were laced with sexually provocative double-entendres that circumvented the obscenity laws. Cunningham wrote many of her own songs, with such titles as The Art of Love, It’s Not the Hen that Cackles the Most that Lays the Largest Egg,6 Did You Ever See a Feather in a Tom Cat’s Tail? and Bridget and Mike, An Irish Serenade.7 When Sickert exhibited his picture of Minnie Cunningham for the first time at the New English Art Club in 1892, his title specified that she was singing I’m an Old Hand at Love, Though I’m Young in Years.