
Not on display
- Artist
- Albert Toft 1862–1949
- Medium
- Marble
- Dimensions
- Object: 1930 × 685 × 650 mm
- Collection
- Tate
- Acquisition
- Presented by the Trustees of the Chantrey Bequest 1915
- Reference
- N03030
Display caption
Toft grew up in Birmingham, and was a modeller for pottery before studying at the Royal College of Art under Professor Lantéri. He was a constant exhibitor at the Royal Academy from 1885 to 1947. He was not successful with the art establishment, and was already in his fifties when this 'Bather' was accepted for the Chantrey Collection. He was never even an Associate of the Academy, and his earlier more symbolist sculpture was not acquired by the Tate Gallery.
A critic in Studio Magazine described this work as 'subtly yet powerfully modelled, despite its suavity', and complained about the lack of realism in the contemporary 'ultra modern school', who thought that their creations were better than God's.
Gallery label, August 2004
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Catalogue entry
N03030 THE BATHER 1915
Inscr. ‘Albert Toft, 1915’ on base.
Marble, 76×26 1/4×28 1/2 (193×66·5×72) including base.
Chantrey Purchase from the artist 1915.
Exh: R.A., 1915 (1903).
Repr: Studio, LXV, 1915, p.40; Herbert Maryon, Modern Sculpture, 1933, fig.73.
[no further details]
Published in:
Mary Chamot, Dennis Farr and Martin Butlin, The Modern British Paintings, Drawings and Sculpture, London 1964, II
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