With the sketchbook inverted, this view of Dryburgh Abbey from across the River Tweed to the south closely resembles the sketch on folio 9 (D25942; CCLXVII 9). The slight change in viewpoint, however, brings the abbey in the present sketch closer to the watercolour that Turner made of the subject: Dryburgh Abbey circa 1832, (Tate N05241).1 Beyond the abbey at the left are the peaks of the Eildon Hills, and at the right the Wallace Statue (commissioned by the eleventh Earl of Buchan) stands on a rise on the north bank of the Tweed. In Turner’s day it was painted white (though is now unpainted) and would have been more prominent. It can be seen in Turner’s watercolour above the abbey to the right.
See folio 9 for reference to other sketches of Dryburgh.
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.428 no.1078.
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