Joseph Mallord William Turner

Ewenny: Part of the Interior of the Priory

1798

In Tate Britain

Prints and Drawings Room

View by appointment
Artist
Joseph Mallord William Turner 1775–1851
Medium
Graphite on paper
Dimensions
Support: 174 × 125 mm
Collection
Tate
Acquisition
Accepted by the nation as part of the Turner Bequest 1856
Reference
D01729
Turner Bequest XLII 54

Catalogue entry

Although Turner had made only a quick drawing of the interior of Ewenny Priory on his first tour of South Wales in 1795, he was clearly fascinated by the place, for its bold Romanesque architecture and mysterious atmosphere. He developed the first modest study, in his Smaller South Wales sketchbook (Tate D00472; Turner Bequest XXV 11) into an important watercolour, shown at the Royal Academy in 1797 (National Museum Wales, Cardiff).1
He made two or possibly three new drawings of it while he was in Glamorgan in 1798; this one is a view into the chancel from the south transept; the south-east pier of the crossing is to the right. The linked ovals partially indicated against the far wall of the chancel are a suggestion of the structure of the rood screen, which Turner drew in some detail in his finished watercolour of 1797. The screen is shown again in the drawing on folios 29 verso–30 recto (D01733–D01734; Turner Bequest XLII 58–59), which is taken from the south transept, looking over the crossing. Compare Turner’s inscription ‘E’ on the present page with that on the view on folios 24 verso–25 recto (D01723–D01724; Turner Bequest XLII 48–49), which may show the priory and its surroundings.

Andrew Wilton
March 2013

1
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.325 no.227, pl.28.

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