With the sketchbook turned horizontally, Turner filled this page with studies taken at the hillside Père-Lachaise Cemetery some two miles east of central Paris.1 To the left-hand side of the page are featured the neoclassical tombs typical of this relatively recent foundation (1804), while a panoramic vista of the city stretches off the right. The dome of Les Invalides or the Panthéon can be made out towards the centre of the scene. The many studies of Père-Lachaise in this sketchbook culminated in an engraved illustration for a new edition of Walter Scott’s Life of Napoleon Buonaparte (1834–6); see Tate impression T04744.
A list of pages in the sketchbook featuring Père-Lachaise is provided in the entry for folio 24 verso (D23928; Turner Bequest 24a).
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, pp.54, 243–6