Turner’s view is through and between the trilithons of the outer sarsen circle to the inner ‘horseshoe’, from the south-east; the tall stone seen leaning in the distance through the central trilithon has since been set upright. Folios 9 recto–15 recto (D41382–D41388) all show Stonehenge; for Turner’s other views of the monument, see the introduction to the sketchbook.
As discussed there, the pages appear to have originally been loose sheets, and are not recorded in Finberg’s 1909 Inventory of the Bequest, although he subsequently noted the subject as ‘Stonehenge’ in a manuscript list,1 while C.F. Bell described it in his own notes as ‘Stonehenge, the great trilithons, near view’.2 Figures corresponding to Finberg’s MS catalogue page numbers, which differ from Bell’s sequence, are inscribed on the verso of each sheet.
A.J. Finberg, MS addenda, [circa 1928–39], tipped into a copy of his A Complete Inventory of the Drawings of the Turner Bequest, London 1909, Tate Britain Prints and Drawings Room, vol.I, opposite p.357, as CXXV(b) 1.
C.F. Bell, MS addenda, [after 1928], tipped into a copy of Finberg 1909, Tate Britain Prints and Drawings Room, vol.I, p.356D, as CXXVB 14.
The sheet is even more wrinkled than others in the sketchbook, possibly as a result of exposure to damp.
Blank, save for inscription by Edwin Fagg in pencil ‘205 | 1’ bottom right (partly trimmed). There are glue stains at the corners of the sheet.