With the page turned horizontally, the view is to the west along the northern reach of the Grand Canal, with the dome and campanile of the church of San Geremia (see folio 11 verso;
D31298) outlined in the distance. On the left is the unrestored arcade front of the Fondaco dei Turchi, still in the ramshackle state recorded in the 1819
Milan to Venice sketchbook (Tate
D14484; Turner Bequest CLXXV 88a).
This is the first of a short sequence of sketches made while travelling south-east along the canal between the Canale di Cannaregio and the Rialto Bridge (folios 12 verso–15 recto;
D31300–D31305). The slightly scrambled details in the right foreground may indicate features of the grand Renaissance façade of the Ca’ Vendramin Calergi (the Casino). The palace is seen in the middle distance in another view in the same direction from further east on folio 13 recto opposite (
D31301).
At the top left, apparently made with the page inverted relative to the foliation, are what seem to be studies of a figure or figures in stooping or reaching motion, perhaps gondoliers or boatmen.
As noted in the sketchbook’s Introduction, the Venice views on its early pages are intermingled with German sketches from Turner’s return journey.
Matthew Imms
September 2018
