As discussed under Tate D17771 (Turner Bequest CCIII N) and recognised by Finberg in his sequencing,1 Tate D17768–D17772 (Turner Bequest CCIII K, L, M, N, O) form a group of similar wooded river valley subjects in pencil and wash. D17771 is the only one firmly identified as a view on the River Washburn, between Folly Hall and Dob Park Lodge, but Ian Warrell has plausibly suggested that they all probably represent the river,2 not far from Walter Fawkes’s home at Farnley Hall (see David Hill’s introduction to this section).
The buildings washed in on the skyline at the right here are unidentified. For more on the subject, dating and technique of the five related drawings, see under D17771.
There are adventitious brown splashes at the top centre and towards the bottom right.
Finberg described the five drawings listed above as ‘a series all drawn in wash and on paper of same size and quality, with gilt edges on three sides’; all five retain the gilt edges except along the bottom, suggesting they may be half sheets, or blank pages extracted from a bound volume. Three also bear the ‘C Wilmot | 1822’ watermark he mentions.1 Paper conservator Peter Bower notes that Charles Wilmott operated at Shoreham Mill in Kent, and the spelling in his known watermarks varies between ‘Wilmot’, ‘Wilmott’ and ‘Willmott’.2
Blank; stamped in black with Turner Bequest monogram over ‘CCIII – K’ bottom left; inscribed in pencil ‘K’, descending vertically, over ‘CCIII.K’ bottom right.