The drawing continues on the opposite page (Tate D09711; Turner Bequest CXXXIII 35a). The view is north from around Jupiter Point below Antony House, looking across the St Germans or Lynher River to Antony Passage and the keep of Trematon Castle. For other views on and around the river, see under folio 27 verso (D09700).
Andrew Wilton has described this double-page spread and the further study on folio 37 recto (D09713) as ‘a rare exception’, when Turner actually ‘stop[ped] to sketch a tree’.1 Finberg notes that the present two-page drawing was: ‘Described by Mr. Ruskin as “Crossing Brook.”’2 The source of John Ruskin’s comment, whether published or manuscript, is unclear, but it refers to Turner’s major West Country oil painting Crossing the Brook, exhibited in 1815 (Tate N00497),3 a view south down the Tamar Valley from above Gunnislake Bridge with trees on each side. Any slight overall compositional similarity here is entirely fortuitous. Ruskin actually exhibited the related drawing on D09713 as a study for the painting. For sketches relating directly to Crossing the Brook, probably made in 1813, see the Vale of Heathfield sketchbook (Tate D10271, D10273, D10274; Turner Bequest CXXXVII 46a, 47a, 48).