
Ian Davenport
Untitled (Drab) (1990)
Tate
His abstract paintings are made by pouring layers of household paints on to prepared canvases and boards tilted so that gravity and the consistency of the paint determine the final configuration of the areas of colour. His systematic approach, predetermining both materials and process, results in paintings whose effect is based on physical immediacy rather than any theoretical or narrative background, although the procedures of American painters of the 1950s and 60s associated with Post-painterly Abstraction, notably Morris Louis, have been cited as antecedents.