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Tate Modern talks_lectures

Brian Dillon on Damien Hirst

25 June 2012 at 19.30–21.00

Damien Hirst, With Dead Head 1991. ARTIST ROOMS Tate and National Galleries of Scotland. © Damien Hirst and Science Ltd. All rights reserved, DACS 2025. Photo: Prudence Cuming Associates Ltd.

Damien Hirst
With Dead Head (1991)
ARTIST ROOMS Tate and National Galleries of Scotland

© Damien Hirst and Science Ltd. All rights reserved, DACS 2025. Photo: Prudence Cuming Associates Ltd

Ugly Feelings

Among the first works in Damien Hirst's exhibition at Tate Modern is With Dead Head: a photograph of the young artist grinning beside a severed head on a mortuary table. It is what we expect of Hirst: a gleeful fascination with the grisly facts of death. This talk asks what kind of pleasures are courted by Hirst's early works with dead animals, medical paraphernalia and such grim images of human mortality and whether those pleasures (gothic, prurient, sublime and verging on disgust) are sustainable across a body of work most renowned for its ‘shock value’.

Brian Dillon

Is UK editor of Cabinet magazine and tutor in the Critical Writing in Art & Design programme at the Royal College of Art. He is editor of Ruins (2011) and author of Sanctuary (2011). His book Tormented Hope: Nine Hypochondriac Lives (2009), published in the US as The Hypochondriacs (2010), was shortlisted for the Wellcome Trust Book Prize. His first book, In the Dark Room (2005), won the Irish Book Award for non-fiction. A collection of his essays, Culture and Curiosity, will be published in 2012. Dillon writes regularly for Artforum, Frieze, Art Review, the Guardian, the London Review of Books, and the Wire, and is currently at work on Blown All to Nothing, the story of an explosion at a gunpowder works in Kent in 1916.

Tate Modern

Starr Cinema

Bankside
London SE1 9TG
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Date & Time

25 June 2012 at 19.30–21.00

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  • Artist

    Damien Hirst

    born 1965
  • Brian Dillon

  • Artwork

    Anthraquinone-1-Diazonium Chloride

    Damien Hirst
    1994
Artwork
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