Talking Point

Art and production

Machine, human, artistic, or immaterial. What do we mean when we talk about production?

What is 'production' and why does it matter?

pro·duc·tion

Late Middle English: via Old French from Latin productio(n-), from producere ‘bring forth’

This year at Tate Exchange we’re exploring the idea of production.

'Production' is a word with many meanings. It can refer to the making of something, or to a final product, like a theatrical performance. It can be the process of bringing a song or musical work to life. Or honing that work to perfection. 'Production' might conjure images of factory production lines, or the theories of Karl Marx. Production is labour, capital, and the invisible groundwork of modern society. And it can be as simple as making a clay pot with your hands. Production is at once mechanical and biological – think of 'reproduction' – and ultimately human.

What does it have to do with art?

Production is at the heart of making art. Artists and theorists have long acknowledged its importance as both an artistic action and an idea to be explored. And as the role of production has shifted in our lives, so have the ways in which artists have responded to it. While some contemporary artists foreground production as a tool, others use their work to explore ideas around production we might otherwise overlook.

Take a look at some of the ways in which production appears in our collection. How have artists addressed and responded to the idea of production through their work?

Artwork

Edgar Degas Little Dancer Aged Fourteen

1880–1, cast c.1922

Degas used a particular type of production – making a wax sculpture that was then cast in bronze – which allowed his work to be copied multiple times. What happens when an artwork is reproduced in this way? Is one copy more authentic than another?

Artwork

Henri Matisse Studio Interior

c.1903–4

Matisse's painting shows the inside of an artist's studio. What role does the studio play in an artist's production process?

Artwork
Artwork

Eileen Agar The Autobiography of an Embryo

1933–4

Agar's surrealist painting tells the story of an embryo – it's a story of biological production and re-production. How do Agar and other artists address the production of life in their work?

Artwork

Shozo Shimamoto Holes

1954

Shimamoto's work is an oil painting pierced through with holes. When does destruction become a form of artistic production?

Artwork

Andy Warhol Marilyn Diptych

1962

Warhol embraced screen-printing as a way to mass (re)produce images. What happens when there is no original artwork, only copies?

Get involved

Want to find out more? Visit Tate Exchange and explore production in its many forms through our year-long programme. Come back to this page for more production stories in the collection. Follow us on Instagram and Twitter. And join the conversation on #TateExchange.

Tate Modern Venue

Tate Exchange

A space for everyone to collaborate, test ideas and discover new perspectives on life, through art