Project

Refiguring American Art September 2014 – August 2017

‘Refiguring American Art’ is a research project that seeks to advance new approaches in the study of post-war American art.

Sam Francis, ‘Around the Blues’ 1957, 1962–3
Sam Francis
Around the Blues 1957, 1962–3
Tate
© Estate of Sam Francis/ ARS, NY & DACS, London 2019

This initiative draws on Tate’s collection to reveal a richer and more complex view of post-war American art and culture. Bridging the worlds of academia and the museum, it brings together contributions from leading scholars of American art in the UK and America and will lead to publications (notably, online In Focus projects), gallery displays, academic workshops ;and a conference at Tate.

Led by Dr Alex J. Taylor, the project, which began in 2014, seeks to shine new light on American artists of significant period stature who have fallen from scholarly attention or whose work invites new perspectives. Artworks that can serve to broaden how we understand key movements or complicate the categories of post-war practice are a particular focus for inquiry. Research on the international histories of American art – especially its exhibition and reception in Britain, and at Tate itself – will illuminate the transnational networks that shaped art and society in the post-war decades.

RESEARCH THEMES

Four research themes serve as threads that run through the various outcomes of ‘Refiguring American Art’:

1. Transnational Modernisms

How did migration and expatriate experience shape American art? What was the role of cold war politics and alleged cultural imperialism in American art’s international reception? How did exchanges between American and European modernisms influence their respective histories?

2. Economies of Taste

How did the American avant-garde relate to the nation’s booming consumer culture? What role did the art world play in shaping the norms of good taste? To what extent were the forms of post-war art shaped by the interests of a buoyant global art market, and an increasingly powerful museum sector?

3. Contextualising Abstraction

What were the connections between modernist abstraction and the everyday world? How did it engage with the spaces and experiences of modern life? What were its connections with the realms of ideology, philosophy and religion? How did American artists seek to problematise the boundaries between abstraction and figuration?

4. Built Environments

How did the visual culture of the built environment inform the work of post-war artists? How did the politics of urban renewal and redevelopment inform their practices? How did emerging ecological interests shape artistic engagements with industrial waste and other human interventions in the environment?

Major publication

Academic Advisory Board

The project is guided by an Academic Advisory Board comprising:

Dr Jo Applin, Courtauld Institute of Art
Dr James Boaden, University of York
Dr Lucy Bradnock, University of Nottingham
Professor Thomas Crow, New York University
Professor Martin Hammer, University of Kent
Professor Mignon Nixon, University College London
Dr Cara Rodway, Eccles Centre for American Studies, British Library
Dr Alistair Rider, University of St Andrews

Supported by the Terra Foundation for American Art

Project Information

Project type
Research

Lead department
Tate Research

Project team
Dr Julia Tatiana Bailey, Terra Foundation for American Art Research Project Manager
Dr Jennifer Mundy, Head of Collection Research, Tate
Dr Alex Taylor, Terra Foundation Research Fellow in American Art

More about the project

  • American Art: In Focus

    Read In Focus projects commissioned as part of the Refiguring American Art research project.
  • Artwork summaries

    Here we bring together over fifty summary texts about individual artworks in Tate’s collection that were written as part of ...
  • Workshops and conferences

    Read information about the workshops hosted by the Refiguring American Art project and abstracts from the major international conference held ...