Bruce Nauman

born 1941

Bruce Nauman, ‘VIOLINS VIOLENCE SILENCE’ 1981–2
VIOLINS VIOLENCE SILENCE 1981–2
© ARS, NY and DACS, London 2018
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In Tate Britain

Prints and Drawings Rooms

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Biography

Bruce Nauman (born December 6, 1941) is an American artist. His practice spans a broad range of media including sculpture, photography, neon, video, drawing, printmaking, and performance. Nauman lives near Galisteo, New Mexico.

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Body art Conceptual art

Artworks

Bruce Nauman, ‘VIOLINS VIOLENCE SILENCE’ 1981–2

Bruce Nauman VIOLINS VIOLENCE SILENCE

1981–2
AL00223
Bruce Nauman, ‘Good Boy Bad Boy’ 1985

Bruce Nauman Good Boy Bad Boy

1985
T06853
Bruce Nauman, ‘Violent Incident’ 1986

Bruce Nauman Violent Incident

1986
T06732
Bruce Nauman, ‘Untitled (Hand Circle)’ 1996

Bruce Nauman Untitled (Hand Circle)

1996
AR00580
Bruce Nauman, ‘MAPPING THE STUDIO II with color shift, flip, flop, & flip/flop (Fat Chance John Cage)’ 2001

Bruce Nauman MAPPING THE STUDIO II with color shift, flip, flop, & flip/flop (Fat Chance John Cage)

2001
T11893
Bruce Nauman, ‘Untitled’ 1994

Bruce Nauman Untitled

1994
P77803
Bruce Nauman, ‘a’ 1970

Bruce Nauman a

1970
P77629
Bruce Nauman, ‘Changing Light Corridor with Rooms’ 1971

Bruce Nauman Changing Light Corridor with Rooms

1971
AR00044
See all 42

Artist as subject

Bruce Nauman, ‘a’ 1970

Bruce Nauman a

1970
P77629
Bruce Nauman, ‘Setting a Good Corner (Allegory and Metaphor)’ 1999

Bruce Nauman Setting a Good Corner (Allegory and Metaphor)

1999
AR00576
Bruce Nauman, ‘e’ 1970

Bruce Nauman e

1970
P77633
Bruce Nauman, ‘c’ 1970

Bruce Nauman c

1970
P77631
Bruce Nauman, ‘b’ 1970

Bruce Nauman b

1970
P77630
Bruce Nauman, ‘d’ 1970

Bruce Nauman d

1970
P77632
See all 6

Film and audio
TateShots

Bruce Nauman:‘The true artist helps the world’

Collaborators and fans explain the influence and mystery of the American artist

ARTIST ROOMS Bruce Nauman - York St Mary's thumbnail
Watch

ARTIST ROOMS Bruce Nauman - York St Mary's

ARTIST ROOMS On Tour brings American artist Bruce Nauman's diverse works to the unique setting of York St Mary ...

Still image of The Unilever Series: Bruce Nauman - Raw Materials
Watch

The Unilever Series: Bruce Nauman - Raw Materials

Timelapse of installation

Features
Essay

Bruce Nauman: Raw Materials

Find out more about the artist's career and his work for the Tate Modern's Turbine Hall

Bruce Nauman, ‘Violent Incident’ 1986
Art Term

Electronic media

The most common examples of electronic media are video recordings, audio recordings, slide presentations, CD-ROM and online content

Bruce Nauman, ‘MAPPING THE STUDIO II with color shift, flip, flop, & flip/flop (Fat Chance John Cage)’ 2001
Art Term

Time-based media

Refers to art that is dependent on technology and has a durational dimension

Francis Bacon, ‘Triptych August 1972’ 1972
Art Term

Triptych

An artwork in three panels

Bruce Nauman, ‘MAPPING THE STUDIO II with color shift, flip, flop, & flip/flop (Fat Chance John Cage)’ 2001
Art Term

Emulation

Emulation is the process of recreating a digital art work to ensure it continues to work as technology changes

Mona Hatoum, ‘Performance Still’ 1985, 1995
Art Term

Performance art

Artworks that are created through actions performed by the artist or other participants, which may be live or recorded, spontaneous ...

Bill Viola, ‘Nantes Triptych’ 1992
Art Term

Video art

Art that involves the use of video and /or audio data and relies on moving pictures

English Magic by Jeremy Deller inside the British Pavillion at the Venice Biennale 2013
Read

Venice Biennale 2013: dreams, yachts and automobiles

An historic manuscript, two smashed up Range Rovers and William Morris throwing a giant yacht into the lagoon…This year ...

John Tenniel notes on his illustration of Alice with Tweedledum and Tweedledee
Tate Etc

When I use a word... it means just what I choose it to mean: Alice in Wonderland II

Lewis Carroll demonstrated how inventive one could be with words and their meanings. Since the 1960s artists such as Mel Bochner ...

Lucio Fontana Spatial Light Structure in Neon for the ninth Milan Triennial at the Palazzo dell Arte Milan 1951
Tate Etc

'It Is not a lasso, an arabesque, nor a piece of spaghetti': Lucio Fontana

Fontana saw his work as a classic representation of what he called “a spatial environment” and described it as “a ...

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