James Ward

1769–1859

James Ward, ‘Gordale Scar (A View of Gordale, in the Manor of East Malham in Craven, Yorkshire, the Property of Lord Ribblesdale)’ ?1812–4, exhibited 1815
Gordale Scar (A View of Gordale, in the Manor of East Malham in Craven, Yorkshire, the Property of Lord Ribblesdale) ?1812–4, exhibited 1815
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In Tate Britain

Walk Through British Art: 1810

Free entry
In Tate Britain

Prints and Drawings Rooms

7 artworks by James Ward
View by Appointment

Biography

James Ward (23 October 1769 – 17 November 1859) was a British painter, particularly of animals, and an engraver.

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Artworks

Left Right
James Ward, ‘Gordale Scar (A View of Gordale, in the Manor of East Malham in Craven, Yorkshire, the Property of Lord Ribblesdale)’ ?1812–4, exhibited 1815

James Ward Gordale Scar (A View of Gordale, in the Manor of East Malham in Craven, Yorkshire, the Property of Lord Ribblesdale)

?1812–4, exhibited 1815
James Ward, ‘The Moment’ 1831

James Ward The Moment

1831
On display at Tate Britain part of Walk Through British Art
James Ward, ‘Fighting Stags, Study for ‘Gordale Scar’’ c.1811–5

James Ward Fighting Stags, Study for ‘Gordale Scar’

c.1811–5
View by appointment
James Ward, ‘Harlech Castle’ 1808

James Ward Harlech Castle

1808
James Ward, ‘View in Tabley Park’ 1813–8

James Ward View in Tabley Park

1813–8
On display at Tate Britain part of Walk Through British Art
James Ward, ‘Sketch for ‘Gordale Scar’’ 1811

James Ward Sketch for ‘Gordale Scar’

1811
James Ward, ‘Sketch for ‘Daniel in the Lion’s Den’’ c.1841 or c.1852

James Ward Sketch for ‘Daniel in the Lion’s Den’

c.1841 or c.1852
James Ward, ‘The Deer Stealer’ exhibited 1823

James Ward The Deer Stealer

exhibited 1823
See all 26

Artist as subject

after John Jackson, ‘Portrait of James Ward, engraved by James Ward’ ?c.1835

After John Jackson Portrait of James Ward, engraved by James Ward

?c.1835
View by appointment

Features

Opinion: Art and Nature

John-Paul Stonard

Art can only ever express the distance between humans and the natural world

John Crome, ‘Moonrise on the Yare (?)’ c.1811–6

Mind fields: The changing landscape of Britain

Jonathon Porritt , Wim Wenders , Siobhan Davies , The Reverend Alan Walker , Richard A. Fortey , José Loosemore , Mark Avery , Michael Palin , Thomas Joshua Cooper , Rick Stein and David Matthews

Tate Etc. introduces eleven personal responses to artworks that reflect the changing face of a nation.

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Left Right
John Sell Cotman, ‘Llanthony Abbey’ 1801

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John Constable, ‘Salisbury Cathedral from the Meadows’ exhibited 1831

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John Laporte

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Henry Thomas Alken, ‘The Belvoir Hunt: The Death’ c.1830–40

Henry Thomas Alken

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Patrick Nasmyth, ‘Landscape’ c.1807

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Peter De Wint

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John Crome, ‘Mousehold Heath, Norwich’ c.1818–20

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Ramsay Richard Reinagle, ‘Loughrigg Mountain and River Brathy, near Ambleside - Sun-Set’ 1808

Ramsay Richard Reinagle

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Joseph Mallord William Turner, ‘Self-Portrait’ c.1799

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John Ferneley I, ‘John Burgess of Clipstone, Nottinghamshire, on a Favourite Horse, with his Harriers’ 1838

John Ferneley I

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John Glover, ‘Thirlmere’ c.1820–30

John Glover

1767–1849
Jacques Laurent Agasse, ‘Lord Rivers’s Groom Leading a Chestnut Hunter towards a Coursing Party in Hampshire’ 1807

Jacques Laurent Agasse

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Nicholas Thomas Dall, ‘River Scene with Ruins’ c.1756–65

Nicholas Thomas Dall

active 1748–1776
Julius Caesar Ibbetson, ‘Briton Ferry, Glamorgan’ c.1795

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William Havell

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