James Ward

1769–1859

James Ward, ‘Gordale Scar (A View of Gordale, in the Manor of East Malham in Craven, Yorkshire, the Property of Lord Ribblesdale)’ ?1812–4, exhibited 1815
Gordale Scar (A View of Gordale, in the Manor of East Malham in Craven, Yorkshire, the Property of Lord Ribblesdale) ?1812–4, exhibited 1815
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In Tate Britain

Walk Through British Art: 1810

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In Tate Britain

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Biography

James Ward (23 October 1769 – 17 November 1859) was a British painter, particularly of animals, and an engraver.

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Artworks

James Ward, ‘Gordale Scar (A View of Gordale, in the Manor of East Malham in Craven, Yorkshire, the Property of Lord Ribblesdale)’ ?1812–4, exhibited 1815

James Ward Gordale Scar (A View of Gordale, in the Manor of East Malham in Craven, Yorkshire, the Property of Lord Ribblesdale)

?1812–4, exhibited 1815
N01043
James Ward, ‘The Moment’ 1831

James Ward The Moment

1831
On display at Tate Britain part of Walk Through British Art T03440
James Ward, ‘Fighting Stags, Study for ‘Gordale Scar’’ c.1811–5

James Ward Fighting Stags, Study for ‘Gordale Scar’

c.1811–5
View by appointment N05161
James Ward, ‘Sketch for ‘Gordale Scar’’ 1811

James Ward Sketch for ‘Gordale Scar’

1811
N02142
James Ward, ‘View in Tabley Park’ 1813–8

James Ward View in Tabley Park

1813–8
On display at Tate Britain part of Walk Through British Art N00385
James Ward, ‘Harlech Castle’ 1808

James Ward Harlech Castle

1808
N01158
James Ward, ‘Sketch for ‘Daniel in the Lion’s Den’’ c.1841 or c.1852

James Ward Sketch for ‘Daniel in the Lion’s Den’

c.1841 or c.1852
N04985
James Ward, ‘The Deer Stealer’ exhibited 1823

James Ward The Deer Stealer

exhibited 1823
N05972
See all 26

Artist as subject

after John Jackson, ‘Portrait of James Ward, engraved by James Ward’ ?c.1835

After John Jackson Portrait of James Ward, engraved by James Ward

?c.1835
View by appointment T06867

Features
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This view in Snowdonia is characteristic of the wartime phase of Neo-Romanticism, a tendency that combined an interest in the ...

John Crome, ‘Moonrise on the Yare (?)’ c.1811–6
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Tate Etc. introduces eleven personal responses to artworks that reflect the changing face of a nation.

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