Keith Arnatt

1930–2008

In Tate Modern

Media Networks: A view from Buenos Aires

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In Tate Britain

Prints and Drawings Rooms

82 artworks by Keith Arnatt

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Biography

Keith Arnatt (1930–2008) was a British conceptual artist. As well as conceptual art his work is sometimes discussed in relation to land art, minimalism, and photography. He lived and worked in London, Liverpool, Yorkshire and Monmouthshire.

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Artworks

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Keith Arnatt A.O.N.B. (Area of Outstanding Natural Beauty)

1982–4

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Keith Arnatt Walking the Dog

1976–9

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Keith Arnatt A.O.N.B. (Area of Outstanding Natural Beauty)

1982–4

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Keith Arnatt Miss Grace’s Lane

1986–7
Keith Arnatt Gardeners

1978–9

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Keith Arnatt Gardeners

1978–9

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Keith Arnatt Gardeners

1978–9
Keith Arnatt A.O.N.B. (Area of Outstanding Natural Beauty)

1982–4

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See all 133

Artist as subject

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Keith Arnatt Self-Burial (Television Interference Project)

1969

On display at Tate Modern part of Media Networks
Keith Arnatt Portrait of the artist as a shadow of his former self

1969–72
Keith Arnatt Trouser - Word Piece

1972, printed 1989
Keith Arnatt I Have Decided to Go to the Tate Gallery Next Friday

1971
Keith Arnatt Portrait of the Artist as a Shadow of his Former Self

1969–72, printed 2000
Keith Arnatt Invisible Hole Revealed by the Shadow of the Artist

1968

Features

Art Term

Conceptual photography

Conceptual photography is photography that illustrates an idea
Tate Etc

The detritus of the future and pleasure of the past

Brian Dillon

Ruin Lust at Tate Britain
Tate Papers

Ten Miles on Exmoor: Art & Environment

Nicholas Alfrey

Suggesting that Richard Long’s A Ten Mile Walk England is as much concerned with boundaries as it is with open …
Tate Etc

Romanticism gets real: British landscape photography

Nicholas Alfrey

The Romanticism display in the Clore Galleries at Tate Britain features more than 170 paintings and prints, as well as …
Tate Etc

Moving with the times: Eadweard Muybridge I

David Campany

The pioneering nineteenth-century Anglo-American photographer is best known for his images of animal and human subjects in motion, but was …