In Tate Britain
Walk Through British Art: 1940
Free entryIn Tate Britain
Biography
Kurt Hermann Eduard Karl Julius Schwitters (20 June 1887 – 8 January 1948) was a German artist who was born in Hanover, Germany.
Schwitters worked in several genres and media, including dadaism, constructivism, surrealism, poetry, sound, painting, sculpture, graphic design, typography, and what came to be known as installation art. He is most famous for his collages, called Merz Pictures.
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Read full Wikipedia entryArtworks
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Kurt Schwitters Opened by Customs
1937–8 -
Kurt Schwitters Picture of Spatial Growths - Picture with Two Small Dogs
1920–39 -
Kurt Schwitters (Relief in Relief)
c.1942–5 -
Kurt Schwitters The Proposal
1942 -
Kurt Schwitters Aphorism
1923 -
Kurt Schwitters Magic
c.1936–40 -
Kurt Schwitters Z 105 Portals of Houses
1918 -
Kurt Schwitters Red Wire Sculpture
1944
Artist as subject
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John Christie Homage to Ursonate
1981 -
Unknown person(s) News article about Kurt Schwitters’ work
date not known -
Philip Granville, Lord’s Gallery, recipient: Edith “Wanty” Thomas Letter from Philip Granville at Lord’s Gallery to Edith Thomas about their first meeting and Kurt Schwitters
29 August 1958 -
Unknown person(s) Note regarding payment for the sale of Schwitters’ collage work
30 September 1955 -
Kurt Schwitters Photocopy of a portrait of a man signed by Schwitters
date not known -
Margaret Miller, Museum of Modern Art (New York, USA), recipient: George Gatey & Son Solicitors (Windermere, UK) Letter to Geo. Gatey & Son solicitors from Margaret Miller at the Museum of Modern Art
25 February 1948 -
Unknown person(s) List of Schwitters’ works with measurements and dates with photocopy
10 March 1947 -
Margaret Miller, Museum of Modern Art (New York, USA) Letter from Margaret Miller at the Museum of Modern Art to Geo. Gatey & Son about the sale of Schwitters’ work, ‘Paper Clouds’ and interest from the Pinacotheca Gallery in obtaining some of Schwitters’ work
8 February 1949
Film and audio
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Look Closer
Schwitters Interned
Discover Kurt Schwitters' response to being in a WW2 British Internment Camp -
Listen
Schwitters in context: The British years – Part 2
This half-day conference brings together leading scholars in the field to discuss Kurt Schwitters’s British period and its broader context. -
Listen
Curator's talk: Schwitters in Britain
Curator of the exhibition Schwitters in Britain Emma Chambers will give an exclusive insight into the creation of the show, … -
TateShots
Contemporary Responses to Kurt Schwitters
Fictional Grandparents and an office designed by Frank Lloyd-Wright feature in two contemporary artistic responses to Kurt Schwitters
Features
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Tate Etc
Tate Etc. issue 27: Spring 2013
Tate Etc. issue 27, Spring 2013; online edition of Tate's magazine -
Tate Etc
Between terror and ecstasy: Artistic hallucination
Stories of hallucinations in art and literature date back to the Bible, but the idea of the artistic hallucination is … -
Tate Etc
Mexican encounters: Tate Acquisition I
Melanie Smith’s video Xilitla, which focuses on Edward James’s extraordinary gothic Mexican garden Las Pozas de Xilitla, was purchased by … -
Tate Etc
Modernists don't die in Ambleside: Schwitters in Britain at Tate Britain
Was this the same Kurt Schwitters, founder of Merz, collaborator with Dadaists, Cubists and Constructivists, who won first, second and … -
Tate Etc
The lonely radical: Marlow Moss at Tate St Ives
At one stage the British artist Marlow Moss was at the heart of the European avant-garde, living in Paris where … -
Behind The Scenes
Archives & Access project: Animating the Archives – a new video series
Transforming Tate Britain, Archives & Access -
Art Term
Assemblage
Assemblage is art that is made by assembling disparate elements – often everyday objects – scavenged by the artist or … -
Art Term
Dada
Dada was an art movement formed during the First World War in Zurich in negative reaction to the horrors and … -
Art Term
Merz
Merz is a nonsense word invented by the German dada artist Kurt Schwitters to describe his collage and assemblage works … -
Tate Papers
Tate Papers no.14: Autumn 2010
Read about William Blake’s exhibition of 1809, drawing as a modern art practice, and the concept of the sublime. The …
Sketches, letters, etc.
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Unknown person(s) Printed image of ‘Das Herz geht zur Mühle’ by Kurt Schwitters
[1982] -
Unknown person(s) News article about Kurt Schwitters’ work
date not known
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