Lawrence Weiner

born 1942

Lawrence Weiner, ‘STRAIGHT DOWN TO BELOW’ 1988
STRAIGHT DOWN TO BELOW 1988
© Lawrence Weiner
License this image
In Tate Britain

Prints and Drawings Rooms

View by Appointment

Biography

Lawrence Weiner (born February 10, 1942) is one of the central figures in the formation of conceptual art in the 1960s. His work often takes the form of typographic texts.

This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. Spotted a problem? Let us know.

Read full Wikipedia entry
Conceptual art

Artworks

Lawrence Weiner, ‘STRAIGHT DOWN TO BELOW’ 1988

Lawrence Weiner STRAIGHT DOWN TO BELOW

1988
AR00131
Lawrence Weiner, ‘TAKEN TO AS DEEP AS THE SEA CAN BE’ 2005

Lawrence Weiner TAKEN TO AS DEEP AS THE SEA CAN BE

2005
T12039
Lawrence Weiner, ‘TIED UP IN KNOTS’ 1988

Lawrence Weiner TIED UP IN KNOTS

1988
AR00136
Lawrence Weiner, ‘CRUSHED BETWEEN COBBLESTONES’ 1988

Lawrence Weiner CRUSHED BETWEEN COBBLESTONES

1988
AR00140
Lawrence Weiner, ‘CROSSED OUT (&) AND JUST ON THE OTHER SIDE’ 1990

Lawrence Weiner CROSSED OUT (&) AND JUST ON THE OTHER SIDE

1990
T12010
Lawrence Weiner, ‘SILVER THREADS ENTWINED IN THREADS OF GOLD’ 1988

Lawrence Weiner SILVER THREADS ENTWINED IN THREADS OF GOLD

1988
AR00133
Lawrence Weiner, ‘FIRE AND BRIMSTONE SET IN A HOLLOW FORMED BY HAND’ 1988

Lawrence Weiner FIRE AND BRIMSTONE SET IN A HOLLOW FORMED BY HAND

1988
AR00132
Lawrence Weiner, ‘CROSSED OVER (&) JUST ON THE OTHER SIDE’ 1990

Lawrence Weiner CROSSED OVER (&) JUST ON THE OTHER SIDE

1990
T12007
See all 26

Artist as subject

Robert Mapplethorpe, ‘Lawrence Weiner’ 1982, printed 1991

Robert Mapplethorpe Lawrence Weiner

1982, printed 1991
AR00218
Barry Flanagan, ‘Larry Weiner’ 1973, reprinted c.1983

Barry Flanagan Larry Weiner

1973, reprinted c.1983
View by appointment P02792

Film and audio

Artists Rooms: Weiner
Watch

ARTIST ROOMS Lawrence Weiner – Woodhorn Museum

We visit Woodhorn Museum for their Art Gala Day hosted by The Mindfuls
TateShots

In the Studio with Lawrence Weiner

Lawrence Weiner on working with words, why he’s against Helvetica, and how he came to design his own font

Listen

Talking Art: Lawrence Weiner

Following his highly acclaimed retrospective 'As far as the eye can see' (Whitney Museum of American Art, New York), Lawrence ...
Still image of Lawrence Weiner: Talking Art
Watch

Lawrence Weiner: Talking Art

Lawrence Weiner discusses his work with art historian and critic John Slyce.

Features

Lawrence Weiner at Woodhorn Museum
Blog

ARTIST ROOMS blog: Lawrence Weiner and The Mindfuls

Terri Nelson

Terri Nelson of Woodhorn Museum's young peoples' group The Mindfuls tells us about their work in text, poetry, silent ...
Lawrence Weiner, ‘CRUSHED BETWEEN COBBLESTONES’ 1988
Blog

Tate Debate: when do words become art?

Minnie Scott

When does written text become visual art? That's the question we've been asking you at Tate Modern - and ...

John Tenniel notes on his illustration of Alice with Tweedledum and Tweedledee
Tate Etc

When I use a word... it means just what I choose it to mean

Sam Thorne

Alice in Wonderland II
Front cover of Lucy Lippard, Six Years: The Dematerialization of the Art Object from 1966 to 1972
Tate Papers

Curating by Numbers: Landmark Exhibitions Issue

Lucy R. Lippard

This paper looks back at the author’s curatorial practice, with a focus on her ‘number shows’ and their randomly ...

Jef Cornelis Still from an untitled film made for Zoeklicht op de culturele actualiteit 1971
Tate Papers

Two Exhibition-Related Films by Jef Cornelis: Landmark Exhibitions Issue

Koen Brams

This discussion of two films made for television in 1971 by Flemish filmmaker Jef Cornelis brings into relief an underlying ...

Laurence weiner The front cover of As Far as the Eye Can See book
Tate Etc

Books Etc. Lawrence Weiner

Claire Nichols

Claire Nichols reviews Lawrence Weiner’s As Far as the Eye Can See. Edited by Donna De Salvo and Ann Goldstein ...

The Mirror Event, Grasmere, 2007
Tate Papers

Tangentially: The Archive and the Bathroom

Lucy Gunning , Jo Melvin and Victoria Worsley

This paper discusses the role of the archive in relation to the artistic process, through the work of Lucy Gunning ...

Walter de Maria The Broken Kilometer 1979
Tate Etc

Thirty years of eternity: Walter de Maria

Thomas Kellein

Broken Kilometer, as Kellein writes, surpasses many other great works: "Even Barnett Newman's 'zip' paintings, Dan Flavin's fluorescent ...

Tate Etc. issue 09 cover
Tate Etc

Tate Etc. issue 9: Spring 2007

Tate Etc. issue 9, spring 2007 online version of Tate's magazine
Vito Acconici Following Piece 1969
Tate Etc

Bound to fail: Open Systems I

Christy Lange

The late 1960s saw a radical rethinking of the art object, with the emphasis shifting away from the static artwork ...

You might like

Sol LeWitt, ‘Wall Drawing #1136’ 2004

Sol LeWitt

1928–2007
Jenny Holzer, ‘Truisms’ 1984

Jenny Holzer

born 1950
Christopher Wool, ‘Untitled’ 1997

Christopher Wool

born 1955
Mel Bochner, ‘Language is not transparent’ 1969

Mel Bochner

born 1940
Glenn Ligon, ‘Condition Report’ 2000

Glenn Ligon

born 1960
Eva Hesse, ‘Addendum’ 1967

Eva Hesse

1936–1970
Terry Winters, ‘Morula III’ 1983–4

Terry Winters

born 1949
Mary Kelly, ‘Post-Partum Document. Documentation III: Analysed Markings And Diary Perspective Schema (Experimentum Mentis III: Weaning from the Dyad)’ 1975

Mary Kelly

born 1941
Richard Long, ‘A Line Made by Walking’ 1967

Richard Long

born 1945
Vito Acconci, ‘SEEDBED’ 1972

Vito Acconci

1940 – 2017
Hamish Fulton, ‘Wind through the Pines’ 1985, 1991

Hamish Fulton

born 1946
Helen Frankenthaler, ‘All About Blue’ 1994

Helen Frankenthaler

1928–2011
Richard Wright, ‘Untitled Figure 3’ 2002

Richard Wright

born 1960
Sophie Calle, ‘The Hotel, Room 47’ 1981

Sophie Calle

born 1953
Allen Ruppersberg, ‘Honey, I rearranged the collection to remind everyone that the original definition of a curator was: A guardian of a minor, lunatic; a person who has a cure of souls.’ 2001

Allen Ruppersberg

born 1944