Mike Nelson

born 1967

Mike Nelson, ‘The Coral Reef’ 2000
The Coral Reef 2000
© Mike Nelson, courtesy Matt’s Gallery, London
License this image
In Tate Britain

Tate Britain Commission: Mike Nelson: The Asset Strippers

Free entry
In Tate Britain

Prints and Drawings Rooms

View by Appointment

Biography

Michael "Mike" Nelson (born 20 August 1967) is a contemporary British installation artist. He represented Britain at the Venice Biennale in 2011. Nelson has twice been nominated for the Turner Prize: first in 2001 (that year the prize was won by Martin Creed), and again in 2007 (when the winner was Mark Wallinger).

This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. Spotted a problem? Let us know.

Read full Wikipedia entry
Altermodern

Artworks

Mike Nelson, ‘The Coral Reef’ 2000

Mike Nelson The Coral Reef

2000
T12859
Mike Nelson, ‘Heroin Room, (The Coral Reef) 2000’ 2007

Mike Nelson Heroin Room, (The Coral Reef) 2000

2007
View by appointment P79366

Film and audio
TateShots

Venice Biennale 2011: Mike Nelson at the British Pavilion

Art critic Ben Lewis met Mike Nelson and asked him about his installation in Venice
TateShots

Mike Nelson: The Coral Reef

An installation that invites visitors to explore a parallel world
TateShots

Mike Nelson: Turner prize 2007

Labyrinthine installations, made of interconnecting corridors and chambers, are intentionally disorientating

Still image of Meet the Artist: Mike Nelson
Watch

Meet the Artist: Mike Nelson

Mike Nelson, Turner Prize nominee

Still image of Mike Nelson: Turner Prize 2007
Watch

Mike Nelson: Turner Prize 2007

Mike Nelson, Turner Prize nominee

Features

Cornelia Parker, ‘Cold Dark Matter: An Exploded View’ 1991
Art Term

Installation art

The term installation art is used to describe large-scale, mixed-media constructions, often designed for a specific place or for a ...

Visitors viewing Jackson Pollock's Summertime: Number 9A at Tate Modern
Blog

Tate Debate: Is viewing art a social experience?

Kirstie Beaven

This week we're interested in how we best experience artworks, specifically in the gallery setting.

A black and white photograph, Bruce McLean Pose Work for Plinths I.
Tate Etc

The scene is set: Tate Britain New Displays I

Lizzie Carey-Thomas

Several displays this summer explore ways in which ideas surrounding performance have come to occupy a defining place in art ...

Mike Nelson I Impostor
Tate Etc

Mike Nelson in conversation

Clarrie Wallis

To coincide with Mike Nelson representing Britain at the 54th Venice Biennale of Art, Tate curator Clarrie Wallis talks to ...

You might like

Simon Starling, ‘Five-Man Pedersen (Prototype No.1)’ 2003

Simon Starling

born 1967
Michael Landy, ‘Creeping Buttercup’ 2002

Michael Landy

born 1963
Dexter Dalwood, ‘Situationist Apartment May ‘68’ 2001

Dexter Dalwood

born 1960
Martin Creed, ‘Work No. 203: EVERYTHING IS GOING TO BE ALRIGHT’ 1999

Martin Creed

born 1968
Mark Wallinger, ‘Threshold to the Kingdom’ 2000

Mark Wallinger

born 1959
Sarah Lucas, ‘Chicken Knickers’ 1997

Sarah Lucas

born 1962
Richard Wilson, ‘Slice of Reality’ 2000

Richard Wilson

born 1953
Ryan Gander, ‘Robbed us with the sight of what we should have known’ 2005

Ryan Gander

born 1976
Peter Fischli, ‘Untitled (Tate)’ 1992–2000

Peter Fischli

born 1952
Linder, ‘Untitled’ 1976

Linder

born 1954
Jeremy Deller, ‘The History of the World’ 1997–2004

Jeremy Deller

born 1966
Peter Fischli, ‘Untitled (Tate)’ 1992–2000

David Weiss

1946–2012
Anselm Kiefer, ‘Urd, Verdandi, Skuld (The Norns)’ 1983

Anselm Kiefer

born 1945
Rose Finn-Kelcey, ‘The Restless Image: a discrepancy between the felt position and the seen position’ 1975

Rose Finn-Kelcey

1945–2014
Mark Leckey, ‘Made in ‘Eaven’ 2004

Mark Leckey

born 1964

In the shop

Browse the shop