Nigel Henderson
1917–1985
© Nigel Henderson Estate
License this image
© Nigel Henderson Estate
License this image
In Tate Britain
In Tate Britain
In Tate Britain
Library and Archive Reading Rooms
View by AppointmentBiography
Nigel Graeme Henderson (1 April 1917 – 15 May 1985) was an English documentary artist, and photographer.
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Read full Wikipedia entryArtworks
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Nigel Henderson Untitled, London
c.1950 -
Nigel Henderson Strongman series (Kendow)
1949–53 -
Nigel Henderson Bag-wash
1949–53 -
Nigel Henderson Man in Bunsen Street, Bethnal Green
1950 -
Nigel Henderson Street Vendor near “Salmon and Ball”, Bethnal Green Road
1951 -
Nigel Henderson Peter Samuels
1951 -
Nigel Henderson Stressed Photograph of a Bather
c.1950 -
Nigel Henderson Stressed Photograph
c.1950
Artist as subject
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John Wonnacott The Norwich School of Art
1982–4 -
Vanessa Bell, recipient: Duncan Grant Letter from Vanessa Bell to Duncan Grant
[c.31 August 1935]
Film and audio
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Look Closer
Nigel Henderson: An Independent Eye
Explore Nigel Henderson's experiments with photography and his documentary of the East End
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Listen
The Legacy of the Independent Group – Day 1: Session 3, Part 2
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 1, Part 3
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 3, Part 3 and Session 4
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 1, Part 6
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 1, Part 4
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 1, Part 7
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 1, Part 5
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 2
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 1, Part 1
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the …
Features
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Tate Etc
Lives of the Artists: Nigel Henderson
Louis Henderson on how the work of his great uncle, Nigel Henderson (1917–1985), still haunts the present
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Art Term
Independent Group
The Independent Group (IG) were a radical group of young artists, writers and critics who met at the Institute of …
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Tate Etc
New brutalist image: Nigel Henderson's photographs at Tate Britain
Nigel Henderson's photographs at Tate Britain -
Tate Papers
Building and the Graphic Arts: Adrian Stokes at the ICA
Stephen Kite explores the relationship between architecture and the graphic arts in the milieus of the Institute of Contemporary Arts …
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Tate Papers
Living in the Long Front
This essay offers a history and critical evaluation of ideas put forward by the critic Lawrence Alloway in the late …
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Tate Etc
Memory frames: Tate Archive
Iain Sinclair visits the Tate archive and unearths the images of a photographer ‘trembling on the brink of life and …
Sketches, letters, etc.
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Nigel Henderson Photograph of Mary Lee Settle
date not known -
Unknown person(s) Glass lantern slide
date not known -
Nigel Henderson Photograph showing variant of ‘Forms on a Bow I’, 1951, by Eduardo Paolozzi in plaster or clay
[c.1951] -
Nigel Henderson Photograph of an unidentified man beside docked boats, possibly in Venice
[c.1951–2]
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