Robert Smirke

1752–1845

The Afflicted Matron, the Countess Trifaldi, from ‘Don Quixote’
License this image

In Tate Britain

Prints and Drawings Rooms

View by Appointment

Biography

Robert Smirke (15 April 1753 – 5 January 1845) was an English painter and illustrator, specialising in small paintings showing subjects taken from literature. He was a member of the Royal Academy.

This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. Spotted a problem? Let us know.

Read full Wikipedia entry

Artworks

Robert Smirke The Afflicted Matron, the Countess Trifaldi, from ‘Don Quixote’

date not known

N01777

Robert Smirke The Order of Knighthood Conferred on Don Quixote by the Inn Keeper

date not known

N00762

Robert Smirke Sancho Panza and the Duchess

date not known

N01778

Robert Smirke Don Quixote at Home, after the Termination of his Second Sally

date not known

N00763

Robert Smirke Scene from Bickerstaffe’s Play ‘The Hypocrite’, Adapted from Colly Cibber’s ‘Non Juror’

date not known

N00765

Robert Smirke, ‘[title not known]’ published 1818

Robert Smirke [title not known]

published 1818

A00862

Robert Smirke, ‘[title not known]’ published 1818

Robert Smirke [title not known]

published 1818

A00854

Robert Smirke, ‘[title not known]’ published 1818

Robert Smirke [title not known]

published 1818

A00853

You might like

Charles Reuben Ryley, ‘Oscar Bringing Back Annir’s Daughter’ 1785

Charles Reuben Ryley

c.1752–1798

Richard Westall, ‘The Reconciliation of Helen and Paris after his Defeat by Menelaus’ exhibited 1805

Richard Westall

1765–1836

Thomas Stothard

1755–1834

William Hamilton

1751–1801

William Blake, ‘Newton’ 1795–c.1805

William Blake

1757–1827

John Hamilton Mortimer, ‘Sir Arthegal, the Knight of Justice, with Talus, the Iron Man (from Spenser’s ‘Faerie Queene’)’ exhibited 1778

John Hamilton Mortimer

1740–1779

Sir Nathaniel Dance-Holland, ‘The Meeting of Dido and Aeneas’ exhibited 1766

Sir Nathaniel Dance-Holland

1735–1811

Henry William Bunbury, ‘‘Coffee is quite ready Gentlemen’’ ?c.1783

Henry William Bunbury

1750–1811

Edward Francis Burney, ‘Amateurs of Tye-Wig Music (‘Musicians of the Old School’)’ c.1820

Edward Francis Burney

1760–1848

Henry Fuseli, ‘Lady Macbeth Seizing the Daggers’ ?exhibited 1812

Henry Fuseli

1741–1825

George Romney, ‘Emma Hart as Circe’ c.1782

George Romney

1734–1802

James Barry, ‘King Lear Weeping over the Dead Body of Cordelia’ 1786–8

James Barry

1741–1806

Robert Blake

1762–1787

Thomas Rowlandson, ‘A Bench of Artists’ 1776

Thomas Rowlandson

1756–1827

Benjamin West, ‘Pylades and Orestes Brought as Victims before Iphigenia’ 1766

Benjamin West

1738–1820