Sir Eduardo Paolozzi
1924–2005
© The estate of Eduardo Paolozzi
License this image
© The estate of Eduardo Paolozzi
License this image
In Tate Liverpool
In Tate Modern
Media Networks: Beyond Pop
Free entryIn Tate Britain
Walk Through British Art: 1940
Free entryBiography
Sir Eduardo Luigi Paolozzi (, Italian: [paoˈlɔttsi]; 7 March 1924 – 22 April 2005) was a Scottish sculptor and artist. He is widely considered to be one of the pioneers of pop art.
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Read full Wikipedia entryArtworks
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Sir Eduardo Paolozzi I was a Rich Man’s Plaything
1947 -
Sir Eduardo Paolozzi Meet the People
1948 -
Sir Eduardo Paolozzi Bash
1971 -
Nigel Henderson, Sir Eduardo Paolozzi Untitled (Study for Parallel of Life and Art)
1952 -
Sir Eduardo Paolozzi Dr Pepper
1948 -
Sir Eduardo Paolozzi Michelangelo’s ‘David’
?1987 -
Sir Eduardo Paolozzi Sack-o-sauce
1948 -
Sir Eduardo Paolozzi Experience
1964
Artist as subject
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Sir Eduardo Paolozzi Portrait of the Artist as a Young Dog
1985 -
Nigel Henderson Photograph showing artwork by Eduardo Paolozzi
[c.1949–c.1956] -
Nigel Henderson Photograph of Eduardo Paolozzi surrounded by artwork, possibly at exhibition at Hanover Square
[c.1949–c.1956] -
Nigel Henderson Photograph of Eduardo Paolozzi
[c.1949–c.1956] -
Nigel Henderson Photograph of Eduardo Paolozzi, possibly at exhibition at Hanover Square
[c.1949–c.1956] -
Nigel Henderson Photograph showing artwork probably by Eduardo Paolozzi
[c.1949–c.1956] -
Nigel Henderson Photograph showing artwork by Eduardo Paolozzi
[c.1949–c.1956] -
Nigel Henderson Photograph showing wax work by Eduardo Paolozzi
[c.1949–c.1956]
Film and audio
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MixTate: E.M.M.A on Eduardo Paolozzi
For the first in a series of commissioned mixes inspired by works in the Tate collection, London-based producer E.M ...
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Late At Tate: Toby Treves
Art historian Toby Treves discusses the two Paolozzi sculptures Cyclops (1957) and their brutal anti-aesthetic in this room of work ... -
The Legacy of the Independent Group – Day 1: Session 3, Part 2
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ... -
The Legacy of the Independent Group – Day 1: Session 1, Part 3
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ... -
The Legacy of the Independent Group – Day 1: Session 3, Part 3 and Session 4
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ... -
The Legacy of the Independent Group – Day 1: Session 1, Part 6
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ... -
The Legacy of the Independent Group – Day 1: Session 1, Part 4
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ... -
The Legacy of the Independent Group – Day 1: Session 1, Part 7
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ... -
The Legacy of the Independent Group – Day 1: Session 1, Part 5
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ... -
The Legacy of the Independent Group – Day 1: Session 2
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ...
Features
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Tate Etc
Private View: Sam Riviere on Eduardo Paolozzi
Sam Riviere remembers Eduardo Paolozzi’s mosaics at Tottenham Court Road station, a gateway to both the city and the ...
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Art Term
Collage
Collage describes both the technique and the resulting work of art in which pieces of paper, photographs, fabric and other ...
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Art Term
Neo-dada
The term neo-dada applied to the work of artists working in America in the 1950s and 1960s which was reminiscent ...
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Art Term
Independent Group
The Independent Group (IG) were a radical group of young artists, writers and critics who met at the Institute of ...
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Tate Etc
New brutalist image: Nigel Henderson's photographs at Tate Britain
Nigel Henderson's photographs at Tate Britain -
Tate Papers
Paolozzi’s Pop New Brutalist World: Rothenstein Lecture
In its engagement with mass media and modern industry, the work of Eduardo Paolozzi combined pop tendencies with the logic ...
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Tate Papers
Building and the Graphic Arts: Adrian Stokes at the ICA
Stephen Kite explores the relationship between architecture and the graphic arts in the milieus of the Institute of Contemporary Arts ...
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Tate Etc
Bjorn van der Horst on Eduardo Paolozzi's 'Meet the People'
From the Tate Etc. archive, chef Bjorn van der Horst takes inspiration from Eduardo Paolozzi's Meet the People 1948 ...
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Tate Papers
Living in the Long Front
This essay offers a history and critical evaluation of ideas put forward by the critic Lawrence Alloway in the late ...
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Tate Papers
Regular Novelties: Lawrence Alloway's Film Criticism
The uncertain relationship between art and industry was at the heart of the questions Lawrence Alloway had been asking about ...
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