Sir Eduardo Paolozzi
1924–2005
© The estate of Eduardo Paolozzi
License this image
© The estate of Eduardo Paolozzi
License this image
In Tate Modern
Media Networks: Beyond Pop
Free entry
In Tate Britain
Spotlights
Free entry
In Tate Liverpool
Biography
Sir Eduardo Luigi Paolozzi (7 March 1924 – 22 April 2005) was a Scottish sculptor and artist. He is widely considered to be one of the pioneers of pop art.
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Read full Wikipedia entryArtworks
Sir Eduardo Paolozzi I was a Rich Man’s Plaything
1947
Sir Eduardo Paolozzi Meet the People
1948
Sir Eduardo Paolozzi Bash
1971
Sir Eduardo Paolozzi Dr Pepper
1948
Sir Eduardo Paolozzi Real Gold
1949
Nigel Henderson, Sir Eduardo Paolozzi Untitled (Study for Parallel of Life and Art)
1952
Sir Eduardo Paolozzi Michelangelo’s ‘David’
?1987
Sir Eduardo Paolozzi Sack-o-sauce
1948
Artist as subject
Sir Eduardo Paolozzi Portrait of the Artist as a Young Dog
1985
Nigel Henderson Photograph of installation view of Parallel of Life and Art exhibition
[c.11 September 1953–18 October 1953]
Nigel Henderson Photograph of layout of text for the Parallel of Life and Art exhibition
[c.11 September 1953–18 October 1953]
Nigel Henderson Photograph of Eduardo Paolozzi at Chiswick House, London
[c.1950s]
Nigel Henderson Photographic panel showing Cat No 81 - ‘Carved wooden grave figure, Kwakiutl Tribe’
[c.11 September 1953–18 October 1953]
Nigel Henderson Photograph of installation view of Parallel of Life and Art exhibition
[c.11 September 1953–18 October 1953]
Nigel Henderson Photograph from Parallel of Life and Art exhibition catalogue, no. 30
[c.11 September 1953–18 October 1953]
Nigel Henderson Photograph from Parallel of Life and Art exhibition catalogue, no. 42
[c.11 September 1953–18 October 1953]
Nigel Henderson Photograph of Freda Paolozzi
[c.1950s]
Film and audio
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MixTate: E.M.M.A on Eduardo Paolozzi
For the first in a series of commissioned mixes inspired by works in the Tate collection, London-based producer E.M ...
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Late At Tate: Toby Treves
Art historian Toby Treves discusses the two Paolozzi sculptures Cyclops (1957) and their brutal anti-aesthetic in this room of work ...
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The Legacy of the Independent Group – Day 1: Session 3, Part 2
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ...
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The Legacy of the Independent Group – Day 1: Session 1, Part 3
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ...
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The Legacy of the Independent Group – Day 1: Session 3, Part 3 and Session 4
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ...
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The Legacy of the Independent Group – Day 1: Session 1, Part 6
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ...
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The Legacy of the Independent Group – Day 1: Session 1, Part 4
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ...
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The Legacy of the Independent Group – Day 1: Session 1, Part 7
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ...
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The Legacy of the Independent Group – Day 1: Session 1, Part 5
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ...
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The Legacy of the Independent Group – Day 1: Session 2
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ...
Features
Art Term
Collage
Collage describes both the technique and the resulting work of art in which pieces of paper, photographs, fabric and other ...
Art Term
Neo-dada
The term neo-dada applied to the work of artists working in America in the 1950s and 1960s which was reminiscent ...
Art Term
Independent Group
The Independent Group (IG) were a radical group of young artists, writers and critics who met at the Institute of ...
Tate Etc
Private View: Sam Riviere on Eduardo Paolozzi
Sam Riviere remembers Eduardo Paolozzi’s mosaics at Tottenham Court Road station, a gateway to both the city and the ...
Tate Etc
New brutalist image: Nigel Henderson's photographs at Tate Britain
Nigel Henderson's photographs at Tate Britain
Read
My teacher, Richard Hamilton
While new generations discover Richard Hamilton at Tate Modern, one of his former Newcastle University students reflects on how his ...
Tate Papers
Paolozzi’s Pop New Brutalist World: Rothenstein Lecture
In its engagement with mass media and modern industry, the work of Eduardo Paolozzi combined pop tendencies with the logic ...
Tate Papers
Building and the Graphic Arts: Adrian Stokes at the ICA
Stephen Kite explores the relationship between architecture and the graphic arts in the milieus of the Institute of Contemporary Arts ...
Tate Etc
Bjorn van der Horst on Eduardo Paolozzi's 'Meet the People'
From the Tate Etc. archive, chef Bjorn van der Horst takes inspiration from Eduardo Paolozzi's Meet the People 1948 ...
Tate Papers
Living in the Long Front
This essay offers a history and critical evaluation of ideas put forward by the critic Lawrence Alloway in the late ...
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