Sir Eduardo Paolozzi
1924–2005
© The Eduardo Paolozzi Foundation
License this image
© The Eduardo Paolozzi Foundation
License this image
In Tate Modern
In Tate Britain
In Tate Liverpool
Biography
Sir Eduardo Luigi Paolozzi (, Italian: [paoˈlɔttsi]; 7 March 1924 – 22 April 2005) was a Scottish artist, known for his sculpture and graphic works. He is widely considered to be one of the pioneers of pop art.
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Read full Wikipedia entryArtworks
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Sir Eduardo Paolozzi [no title: trial proof for Conditional Probability Machine]
1970 -
Sir Eduardo Paolozzi For the Four [colour variant of P03144]
1975 -
Sir Eduardo Paolozzi Signs of Death and Decay in the Sky
1969–70 -
Sir Eduardo Paolozzi [no title: trial proof for Moonstrips Empire News]
c.1967 -
Sir Eduardo Paolozzi Inkwells Gold
1962 -
Sir Eduardo Paolozzi Hero as Riddle
1963 -
Sir Eduardo Paolozzi Head
1979 -
Sir Eduardo Paolozzi Bash
1971
Artist as subject
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Nigel Henderson Photograph showing artwork by Eduardo Paolozzi
[c.1949–c.1956] -
Nigel Henderson Photograph of Eduardo Paolozzi
[c.1949–c.1956] -
Nigel Henderson Photograph showing artwork probably by Eduardo Paolozzi
[c.1949–c.1956] -
Nigel Henderson Photograph showing a design by Eduardo Paolozzi
[c.1949–c.1956] -
Nigel Henderson Photograph of artwork, probably by Eduardo Paolozzi
[c.1949–c.1956] -
Nigel Henderson Photograph showing artwork by Eduardo Paolozzi
[c.1949–c.1956] -
Nigel Henderson Photograph showing artwork, possibly by Eduardo Paolozzi
[c.1949–c.1956] -
Nigel Henderson Photograph showing version of ‘Forms on a Bow’ 1949, by Eduardo Paolozzi, in plaster or clay
[c.1949–c.1956]
Film and audio
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Playlist
MixTate: E.M.M.A on Eduardo Paolozzi
London-based producer E.M.M.A creates a mix of her own tracks influenced by Sir Eduardo Paolozzi's Bash
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Listen
Late At Tate: Toby Treves
Art historian Toby Treves discusses the two Paolozzi sculptures Cyclops (1957) and their brutal anti-aesthetic in this room of work … -
Listen
The Legacy of the Independent Group – Day 1: Session 3, Part 2
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 1, Part 3
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 3, Part 3 and Session 4
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 1, Part 6
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 1, Part 4
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 1, Part 7
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 1, Part 5
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 2
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the …
Features
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Tate Etc
Private View: Sam Riviere on Eduardo Paolozzi
Sam Riviere remembers Eduardo Paolozzi’s mosaics at Tottenham Court Road station, a gateway to both the city and the ‘chaotic …
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Art Term
Collage
Collage describes both the technique and the resulting work of art in which pieces of paper, photographs, fabric and other …
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Art Term
Independent Group
The Independent Group (IG) were a radical group of young artists, writers and critics who met at the Institute of …
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Art Term
Neo-dada
The term neo-dada applied to the work of artists working in America in the 1950s and 1960s which was reminiscent …
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Tate Etc
New brutalist image: Nigel Henderson's photographs at Tate Britain
Nigel Henderson's photographs at Tate Britain -
Tate Papers
Paolozzi’s Pop New Brutalist World: Rothenstein Lecture
In its engagement with mass media and modern industry, the work of Eduardo Paolozzi combined pop tendencies with the logic …
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Tate Papers
Building and the Graphic Arts: Adrian Stokes at the ICA
Stephen Kite explores the relationship between architecture and the graphic arts in the milieus of the Institute of Contemporary Arts …
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Tate Etc
Bjorn van der Horst on Eduardo Paolozzi's 'Meet the People'
From the Tate Etc. archive, chef Bjorn van der Horst takes inspiration from Eduardo Paolozzi's Meet the People 1948 in …
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Tate Papers
Living in the Long Front
This essay offers a history and critical evaluation of ideas put forward by the critic Lawrence Alloway in the late …
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Tate Papers
Regular Novelties: Lawrence Alloway's Film Criticism
The uncertain relationship between art and industry was at the heart of the questions Lawrence Alloway had been asking about …
Sketches, letters, etc.
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