Sir Eduardo Paolozzi
1924–2005
© The Eduardo Paolozzi Foundation
License this image
© The Eduardo Paolozzi Foundation
License this image
In Tate Modern
In Tate Britain
In Tate Liverpool
Biography
Sir Eduardo Luigi Paolozzi (, Italian: [paoˈlɔttsi]; 7 March 1924 – 22 April 2005) was a Scottish artist, known for his sculpture and graphic works. He is widely considered to be one of the pioneers of pop art.
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Read full Wikipedia entryArtworks
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Sir Eduardo Paolozzi Mechaniks Bench
1963 -
Sir Eduardo Paolozzi Wonder Toy: Robert the Robot
1971 -
Sir Eduardo Paolozzi Newton
1988 -
Sir Eduardo Paolozzi Mondrian Head
?1989 -
Sir Eduardo Paolozzi One Man Track Team
1953 -
Sir Eduardo Paolozzi [title not known: page from a scrapbook]
1950s -
Sir Eduardo Paolozzi Portrait of Matta
1978 -
Sir Eduardo Paolozzi [no title: trial proof for Conditional Probability Machine]
1970
Artist as subject
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Nigel Henderson Photograph showing variant of ‘Forms on a Bow I’, 1951, by Eduardo Paolozzi in plaster or clay
[c.1951] -
Nigel Henderson Photograph of Freda Paolozzi
[c.1950s] -
Nigel Henderson Photograph of Freda Paolozzi
[c.1950s] -
Nigel Henderson Photograph of Eduardo Paolozzi
[c.1950s] -
Nigel Henderson Photograph of Eduardo Paolozzi working at a window with balsa wood
June 1951 -
Nigel Henderson Photograph of Eduardo Paolozzi
[c.21 February 1950–18 March 1950] -
Nigel Henderson Photograph of Freda Paolozzi
[c.1950s] -
Nigel Henderson Photograph from Parallel of Life and Art exhibition catalogue, no. 56
[c.11 September 1953–18 October 1953] -
Nigel Henderson Photograph showing interior of Henderson’s house at 46 Chisenhale Road, Bow
c.1949–54
Film and audio
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Playlist
MixTate: E.M.M.A on Eduardo Paolozzi
London-based producer E.M.M.A creates a mix of her own tracks influenced by Sir Eduardo Paolozzi's Bash
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Listen
Late At Tate: Toby Treves
Art historian Toby Treves discusses the two Paolozzi sculptures Cyclops (1957) and their brutal anti-aesthetic in this room of work … -
Listen
The Legacy of the Independent Group – Day 1: Session 3, Part 2
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 1, Part 3
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 3, Part 3 and Session 4
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 1, Part 6
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 1, Part 4
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 1, Part 7
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 1, Part 5
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the … -
Listen
The Legacy of the Independent Group – Day 1: Session 2
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the …
Features
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Tate Etc
Private View: Sam Riviere on Eduardo Paolozzi
Sam Riviere remembers Eduardo Paolozzi’s mosaics at Tottenham Court Road station, a gateway to both the city and the ‘chaotic …
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Art Term
Collage
Collage describes both the technique and the resulting work of art in which pieces of paper, photographs, fabric and other …
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Art Term
Independent Group
The Independent Group (IG) were a radical group of young artists, writers and critics who met at the Institute of …
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Art Term
Neo-dada
The term neo-dada applied to the work of artists working in America in the 1950s and 1960s which was reminiscent …
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Tate Etc
New brutalist image: Nigel Henderson's photographs at Tate Britain
Nigel Henderson's photographs at Tate Britain -
Tate Papers
Paolozzi’s Pop New Brutalist World: Rothenstein Lecture
In its engagement with mass media and modern industry, the work of Eduardo Paolozzi combined pop tendencies with the logic …
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Tate Papers
Building and the Graphic Arts: Adrian Stokes at the ICA
Stephen Kite explores the relationship between architecture and the graphic arts in the milieus of the Institute of Contemporary Arts …
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Tate Etc
Bjorn van der Horst on Eduardo Paolozzi's 'Meet the People'
From the Tate Etc. archive, chef Bjorn van der Horst takes inspiration from Eduardo Paolozzi's Meet the People 1948 in …
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Tate Papers
Living in the Long Front
This essay offers a history and critical evaluation of ideas put forward by the critic Lawrence Alloway in the late …
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Tate Papers
Regular Novelties: Lawrence Alloway's Film Criticism
The uncertain relationship between art and industry was at the heart of the questions Lawrence Alloway had been asking about …
Sketches, letters, etc.
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