Sir Eduardo Paolozzi
1924–2005
© The estate of Eduardo Paolozzi
License this image
© The estate of Eduardo Paolozzi
License this image
In Tate Modern
Media Networks: Beyond Pop
Free entryIn Tate Britain
Spotlights
Free entryIn Tate Liverpool
Biography
Sir Eduardo Luigi Paolozzi (, Italian: [paoˈlɔttsi]; 7 March 1924 – 22 April 2005) was a Scottish sculptor and artist. He is widely considered to be one of the pioneers of pop art.
This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. Spotted a problem? Let us know.
Read full Wikipedia entryArtworks
-
Sir Eduardo Paolozzi I was a Rich Man’s Plaything
1947 -
Sir Eduardo Paolozzi Meet the People
1948 -
Sir Eduardo Paolozzi Bash
1971 -
Sir Eduardo Paolozzi Dr Pepper
1948 -
Nigel Henderson, Sir Eduardo Paolozzi Untitled (Study for Parallel of Life and Art)
1952 -
Sir Eduardo Paolozzi Michelangelo’s ‘David’
?1987 -
Sir Eduardo Paolozzi Real Gold
1949 -
Sir Eduardo Paolozzi Sack-o-sauce
1948
Artist as subject
-
Sir Eduardo Paolozzi Portrait of the Artist as a Young Dog
1985 -
Nigel Henderson Photograph of Freda Paolozzi
[c.1950s] -
Nigel Henderson Photograph of Eduardo Paolozzi with his sculpture
[c.21 February 1950–18 March 1950] -
Nigel Henderson Photograph of Eduardo Paolozzi with his mother and sister, Yolanda, on his wedding day to Freda Elliot
7 July 1951 -
Nigel Henderson Photograph from Parallel of Life and Art exhibition catalogue, no. 72
[c.11 September 1953–18 October 1953] -
Nigel Henderson Photograph showing variant of ‘Forms on a Bow I’, 1951, by Eduardo Paolozzi in plaster or clay
[c.1951] -
Nigel Henderson Photograph of Eduardo Paolozzi working at a window with balsa wood
June 1951 -
Nigel Henderson Photograph of Freda Paolozzi
[c.1950s] -
Nigel Henderson Photograph showing interior of Henderson’s house at 46 Chisenhale Road, Bow
c.1949–54
Film and audio
-
MixTate: E.M.M.A on Eduardo Paolozzi
For the first in a series of commissioned mixes inspired by works in the Tate collection, London-based producer E.M ...
-
Late At Tate: Toby Treves
Art historian Toby Treves discusses the two Paolozzi sculptures Cyclops (1957) and their brutal anti-aesthetic in this room of work ... -
The Legacy of the Independent Group – Day 1: Session 3, Part 2
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ... -
The Legacy of the Independent Group – Day 1: Session 1, Part 3
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ... -
The Legacy of the Independent Group – Day 1: Session 3, Part 3 and Session 4
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ... -
The Legacy of the Independent Group – Day 1: Session 1, Part 6
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ... -
The Legacy of the Independent Group – Day 1: Session 1, Part 4
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ... -
The Legacy of the Independent Group – Day 1: Session 1, Part 7
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ... -
The Legacy of the Independent Group – Day 1: Session 1, Part 5
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ... -
The Legacy of the Independent Group – Day 1: Session 2
Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the ...
Features
-
Tate Etc
Private View: Sam Riviere on Eduardo Paolozzi
Sam Riviere remembers Eduardo Paolozzi’s mosaics at Tottenham Court Road station, a gateway to both the city and the ...
-
Art Term
Collage
Collage describes both the technique and the resulting work of art in which pieces of paper, photographs, fabric and other ...
-
Art Term
Independent Group
The Independent Group (IG) were a radical group of young artists, writers and critics who met at the Institute of ...
-
Art Term
Neo-dada
The term neo-dada applied to the work of artists working in America in the 1950s and 1960s which was reminiscent ...
-
Tate Etc
New brutalist image: Nigel Henderson's photographs at Tate Britain
Nigel Henderson's photographs at Tate Britain -
Tate Papers
Paolozzi’s Pop New Brutalist World: Rothenstein Lecture
In its engagement with mass media and modern industry, the work of Eduardo Paolozzi combined pop tendencies with the logic ...
-
Tate Papers
Building and the Graphic Arts: Adrian Stokes at the ICA
Stephen Kite explores the relationship between architecture and the graphic arts in the milieus of the Institute of Contemporary Arts ...
-
Tate Etc
Bjorn van der Horst on Eduardo Paolozzi's 'Meet the People'
From the Tate Etc. archive, chef Bjorn van der Horst takes inspiration from Eduardo Paolozzi's Meet the People 1948 ...
-
Tate Papers
Living in the Long Front
This essay offers a history and critical evaluation of ideas put forward by the critic Lawrence Alloway in the late ...
-
Tate Papers
Regular Novelties: Lawrence Alloway's Film Criticism
The uncertain relationship between art and industry was at the heart of the questions Lawrence Alloway had been asking about ...
You might like
-
Joe Tilson
born 1928 -
William Turnbull
1922–2012 -
Michael Rothenstein
1908–1993 -
R.B. Kitaj
1932–2007 -
Robert Adams
1917–1984 -
Tom Phillips
born 1937 -
Ian Tyson
born 1933 -
Derek Boshier
born 1937 -
Kenneth Armitage
1916–2002 -
Ian Hamilton Finlay
1925–2006 -
Victor Pasmore
1908–1998 -
Richard Smith
1931–2016 -
John Berry
1925–2017 -
Sir Norman Reid
1915–2007 -
Robyn Denny
1930–2014