Thomas Stothard

1755–1834

A Nude Female Figure, Standing. Same Figure Repeated, with Another
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In Tate Britain

Spotlights: The Blake Room

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In Tate Britain

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Biography

Thomas Stothard (17 August 1755 – 27 April 1834) was an English painter, illustrator and engraver.

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Artworks

Thomas Stothard A Nude Female Figure, Standing. Same Figure Repeated, with Another

date not known
View by appointment T10038

Thomas Stothard Lord William Russell Taking Leave of his Children

date not known
N01833
Thomas Stothard, ‘The Pilgrimage to Canterbury’ 1806–7

Thomas Stothard The Pilgrimage to Canterbury

1806–7
On display at Tate Britain part of Spotlights N01163

Thomas Stothard Female Nude Figures. Verso: Studies of Groups, Perhaps for an Illustration to Milton

date not known
View by appointment T10037
Thomas Stothard, ‘Shakespearean Characters’ exhibited 1813

Thomas Stothard Shakespearean Characters

exhibited 1813
N01830
after Thomas Stothard, ‘The Pilgrimage to Canterbury, engraved by Louis Schiavonetti and James Heath’ 1809–17

After Thomas Stothard The Pilgrimage to Canterbury, engraved by Louis Schiavonetti and James Heath

1809–17
On display at Tate Britain part of Spotlights T06857

Thomas Stothard Group of Three Standing Women. Verso: A Larger Drawing

date not known
View by appointment T09956
Thomas Stothard, ‘Intemperance: Mark Antony and Cleopatra’ c.1802, ?exhibited 1805

Thomas Stothard Intemperance: Mark Antony and Cleopatra

c.1802, ?exhibited 1805
N00321
See all 216

Artist as subject

after John Doyle, ‘Samuel Rogers at his Breakfast Table, engraved by Charles Mottram’ c.1823

After John Doyle Samuel Rogers at his Breakfast Table, engraved by Charles Mottram

c.1823
T04907

Features

Sir Joshua Reynolds, ‘A Nymph and Cupid: ‘The Snake in the Grass’’ exhibited 1784

A short history of nymphomania

Louise Cohen

As a mischievous new display opens at Tate Britain, we meet the curator to track down the elusive nymph in ...

William Hilton the Younger, ‘Cupid and Nymph’ exhibited 1828

BP Spotlight: Bodies of Nature

Cora Gilroy-Ware

Bodies of (Human) Nature: Nymphs in British Art 1780–1840

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