Tino Sehgal

born 1976

Biography

Tino Sehgal (; German: [ˈzeːgaːl]; born 1976) is an artist of German and Indian descent, based in Berlin, who describes his work as "constructed situations". He is also thought of as a choreographer that makes dance for the museum setting.

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Artworks

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Tino Sehgal This is propaganda

2002

T12057

Film and audio

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Artist’s talk: Daido Moriyama

On the occasion of Tate Modern’s William Klein + Daido Moriyama exhibition, curator Simon Baker talks to the Japanese photographer ...

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Curator’s talk: Tino Sehgal

Curator Jessica Morgan and producer Asad Raza discuss the making of the latest project in The Unilever Series and the ...

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Tino Sehgal in Conversation with Chris Dercon and Jessica Morgan

Tino Sehgal has been chosen to create 2012’s The Unilever Series commission in the Turbine Hall. He will be ...

Features

Press coverage for Tino Sehgal: Rachel Campbell-Johnston, ‘Sharing secrets with the modern-day ancient mariners’, Times, 24 July 2012

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Tino Sehgal, This is propaganda 2002/2006

As part of Performance at Tate: Into the Space of Art, Acatia Finbow explores Tino Sehgal's This is propaganda ...

Assembly Signs and Signals Tate Britain Guy Sherwin and Lynn Loo's Mobius Loops

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How 'expanded cinema' rethinks the film screening: Cinema in the Saloon

George Clark, co-curator of the current Assembly film series at Tate Britain, considers the rise of 'expanded cinema' in recent ...

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Two-minute Turner Prize: Tino Sehgal

A brief introduction to one of the nominees for the 2013 Turner Prize

Blog

Tate Debate: What does taking active part in a work bring to an audience member?

Tino Sehgal’s These associations, now taking place in Tate Modern’s Turbine Hall is the first live art piece ...

Press Release

Tino Sehgal

23 Jul 2012

Tate Modern has unveiled the first live commission in The Unilever Series created by the artist Tino Sehgal.

Tate Etc

'You look charming. You look enchanting. You look dazzling. You look breathtaking. You look unique. But you don't make an evening.: Art & theatre

‘Since visual art practice has so decisively repudiated, problematised, complicated the whole business of pretending’, says Nicholas Ridout, ‘it's hardly ...