Not on display
Norman Adams 1927-2005
T00923 The Whole (The Dream I) 1964
Inscribed ‘NA. 64’ b.r. and ‘The Whole/The Dream (1.)/N Adams 1964’ on back.
Canvas, 34 x 36 (86.4 x 91.4).
Chantrey Purchase from the artist 1967.
Exh: Roland, Browse and Delbanco, February–March 1966 (48d); R.A., 1967 (967).
The artist wrote (13 April 1968): ‘It is one of a set of six paintings that were inspired by the opening chapters of St John’s Gospel. Ideally the set should not have been broken up as they were conceived as a “whole” – hence the title I hope that one day the six paintings will be hung together – they should hang in this order –
The Dream I
The Dream II
There is no rigid symbolism involved. The images in some of the paintings came directly out of studies made in the Outer-Hebrides, made during the summer of 1964. Studies of islands, rocks, sea and sky. Most of my paintings are the result of a Christian attitude, but I rarely use direct Christian symbolism (or any other kind of symbolism come to that) these days.’
Another of the series, ‘The Light’, is in the possession of the Carlisle City Art Gallery; the rest still belong to the artist. All were shown at Roland, Browse and Delbanco (see above), nos. 48, a-f. An appreciation of the artist’s work of this period is found in the introduction to the catalogue by Peter Bird.
Published in The Tate Gallery Report 1967–1968, London 1968.
- irregular forms(2,013)