Not on display
- Artist
- Frank Auerbach born 1931
- Medium
- Oil paint on board
- Dimensions
- Support: 1223 × 1530 mm
frame: 1387 × 1693 × 90 mm - Collection
- Tate
- Acquisition
- Presented by the executors of the estate of David Wilkie 1993
- Reference
- T06687
Display caption
Auerbach based this painting on Titian's Bacchus and Ariadne (1522-3) in the National Gallery, London. Titian depicts the Roman god of wine with his dissolute followers, catching sight of Ariadne, whom he married and transformed into a constellation of stars. Adapting the figures, trees and clouds of the original painting into a vivid network of lines and gestural brushwork, Auerbach conveys a powerful sense of energy and movement. 'I mean to make it as extreme as possible', he told the collector David Wilkie, who commissioned the painting.
Gallery label, August 2004
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- abstraction(9,911)
-
- from recognisable sources(4,516)
- formal qualities(12,931)
-
- gestural(783)
- landscape(25,912)
-
- landscape - non-specific(2,507)
You might like
-
Frank Auerbach Sketch from Titian’s ‘Bacchus and Ariadne’
1970–1 -
Frank Auerbach Sketch from Titian’s ‘Bacchus and Ariadne’
1970–1 -
Frank Auerbach Sketch from Titian’s ‘Bacchus and Ariadne’
1970–1 -
Frank Auerbach The Origin of the Great Bear
1967–8 -
Frank Auerbach Figure on a Bed
1967–70 -
Frank Auerbach J.Y.M. Seated No. 1
1981 -
Frank Auerbach Primrose Hill
1967–8 -
Frank Auerbach The Sitting Room
1964 -
Frank Auerbach Study after Titian II
1965 -
Frank Auerbach Study after Titian I
1965 -
Frank Auerbach Rimbaud
1976 -
Frank Auerbach To the Studios
1990–1 -
Frank Auerbach Rimbaud
1975–6 -
Frank Auerbach To the Studios
1979–80 -
Frank Auerbach Head of E.O.W. I
1960