Sorry, no image available
Not on display
- Artist
- Ed Baynard born 1940
- Medium
- Woodcut on paper
- Dimensions
- Image: 823 × 762 mm
- Collection
- Tate
- Acquisition
- Presented by Tyler Graphics Ltd in honour of Pat Gilmour, Tate Print Department 1974-7, 2004
- Reference
- P11995
Summary
This is one of a series of eight woodcut prints made by Baynard at the Tyler workshop over a period from November 1979 to November 1980, two of which are in Tate’s collection (see also A Dark Pot with Roses 1980, Tate P12996). This was the first print project Baynard worked on at Tyler Graphics. When Baynard’s initial discussions with Kenneth Tyler revealed their mutual admiration for eighteenth- and nineteenth-century Japanese woodblock prints, they decided to work on a series inspired by the Ukiyo-e style. Baynard had for several years been painting watercolour images of flower-filled vases, and used this theme to create a series of watercolour studies specifically to translate into woodcuts. Tracings were made from these studies, and the shapes further defined, before the images were transferred to the blocks.
Baynard chose different woods, including fir, pine, walnut, Russian ply and mahogany, according to the texture and grain he wanted for each block of colour. Baynard’s images are highly stylized and he depicted these flower motifs with a minimum of modeling and shading. In this print, he used the direction of the woodgrain and contrasting flat and blended colours to create a style redolent of Japanese prints, embracing the flatness of the paper rather than using conventional perspective.
The Tulip Pitcher is printed with 16 colours in 8 runs from 8 woodblocks. A Dark Pot with Roses is printed with 35 colours produced in 8 runs from 10 woodblocks. The printing process of this series was arrived at through experimentation. Since they used soft woods for some blocks, the prints were made on an indirect flatbed press that would not destroy the blocks before each run was completed. The blocks were each hand-inked using a number of methods. These included blend rolling, where a number of coloured inks are applied with the roller to achieve a softly graduated finish, and applying inks to localized areas of the block using paper stumps, brushes and fingers.
Both The Tulip Pitcher and A Dark Pot with Roses are produced in an edition of 70 with 18 artist’s proofs.
Further reading
Sean Rainbird, ed., Print Matters: The Kenneth E. Tyler Gift, exhibition catalogue, Tate, 2004.
Ed Baynard: Woodblock Prints and Watercoloured Lithographs 1980, Tyler Graphics, Bedford, New York, 1980, reproduced p.13 in colour.
Tyler Graphics Catalogue Raisonné, 1974-1985, Walker Arts Center, Minneapolis, USA, 1987, pp66-77, reproduced p.69 in colour.
Maria Bilske
April 2005
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
You might like
-
Nan Goldin Jimmy Paulette and Tabboo! undressing, NYC
1991 -
Ed Baynard Monotype (B-2)
1981 -
Nan Goldin Jimmy Paulette after the parade, NYC, 1991
1991 -
Nan Goldin Mod kid with dog, London
1978, printed 2019 -
Nan Goldin Skinhead dancing, London
1978, printed 2019 -
Richard Artschwager Interior I
1977 -
Richard Artschwager Interior II
1977 -
Richard Artschwager Interior
1972 -
Nan Goldin Vivienne in the green dress, NYC
1980 -
Nan Goldin Greer and Robert on the bed, NYC
1982 -
Nan Goldin Nan one month after being battered
1984 -
Nan Goldin Misty and Jimmy Paulette in a taxi, NYC
1991 -
Nan Goldin Self-Portrait on the train, Germany
1992 -
Gene Davis Quiet Firecracker
1968 -
Richard Artschwager Tower II
1979