In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- George Belcher 1875–1947
- Medium
- Crayon and watercolour on paper
- Dimensions
- Support: 295 × 215 mm
- Collection
- Tate
- Acquisition
- Bequeathed by J.R. Holliday 1927
- Reference
- N04327
Catalogue entry
N04327 ‘ALABASTER BUSKS, LIDY, 2D. EACH’ c.
1911
Inscr. ‘George Belcher’ b.l.
Charcoal and wash, 10 3/4×7 3/4 (27·5×19·5), on paper, 11 1/2×8 1/2 (29·5×21·5).
Bequeathed by J. R. Holliday 1927.
Exh:
London Types and Characters, Leicester Galleries, February 1911 (29).
[no further details]
Published in:
Mary Chamot, Dennis Farr and Martin Butlin, The Modern British Paintings, Drawings and Sculpture, London 1964, I
Explore
- architecture(41,337)
-
- townscapes / man-made features(21,710)
-
- street(1,641)
- actions: expressive(2,655)
-
- talking(610)
- social comment(6,596)
-
- caricature(360)
- trading and commercial(1,170)
-
- pedlar(25)
You might like
-
George Belcher A Small Matter
1908 -
Robert Bevan Ploughing in Brittany. Verso: Study of a Woman
1893 -
Sir Max Beerbohm Woolner at Farringford, 1857
1917 -
Phil May Waiter and Diner. Caricature
date not known -
David Bomberg Family Bereavement
1913 -
Sir Henry Rushbury Repairing the Sail
c.1923 -
Christopher Richard Wynne Nevinson Study for ‘Returning to the Trenches’
1914–15 -
Sir Max Beerbohm Quis Custodiet Ipsum Custodem
1916 -
Sir Henry Rushbury The Palazzo Ugoccione, Florence
1922 -
Eric Kennington Bayonet Practice
1917 -
Phil May I Define the Criminal Characteristics in Physiognomy of Chas Peace
?c.1889–90 -
Spencer Gore Ballet Scene
c.1903–6 -
Sir Max Beerbohm A Quiet Morning in the Tate Gallery
1907 -
Sir Max Beerbohm Topsy and Ned Jones Settled on the Settle in Red Lion Square
1916