In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- William Blake 1757–1827
- Medium
- Engraving on paper
- Dimensions
- Image: 174 × 230 mm
- Collection
- Tate
- Acquisition
- Purchased 1996
- Reference
- T07048
Explore
- emotions, concepts and ideas(16,531)
-
- emotions and human qualities(5,350)
-
- happiness(259)
- universal concepts(6,403)
-
- humour(1,444)
- clothing and personal items(5,879)
-
- fan(69)
- book - non-specific(1,960)
- actions: expressive(2,631)
- crowd(653)
You might like
-
William Blake The Fall of Rosamond (after Thomas Stothard)
1783 -
William Blake Queen Elizabeth and Essex (after Henry Fuseli)
1797, published 1798 -
William Blake Wat Tyler and the Tax-Gatherer (after Henry Fuseli)
1797, published 1798 -
William Blake Alfred and the Neat-Herd’s Wife (after Henry Fuseli)
1797, published 1798 -
Prints after William Hogarth Satan, Sin and Death, engraved by Thomas Rowlandson and John Ogbourne after T00790
1792 -
William Blake King John Absolved by Pandulph (after Henry Fuseli)
1797, published 1798 -
James Barry The Distribution of Premiums in the Society of Arts
first published 1792 -
William Blake Christ Appearing to the Apostles after the Resurrection
c.1795 -
Thomas Stothard Design for a Monument
date not known -
Prints after William Hogarth Dr Benjamin Hoadly, Bishop of Winchester, engraved by Thomas Cook
c.1800 -
John Flaxman Design for the Setting of a Classical Statue; and a Farewell Scene, Figures in Classical Costume. ?Sophocles
date not known -
James Barry The Distribution of Premiums in the Society of Arts
first published 1792 -
Robert Smirke The Order of Knighthood Conferred on Don Quixote by the Inn Keeper
date not known -
James Barry The Phoenix or the Resurrection of Freedom
1776–1808 -
William Blake Moses Indignant at the Golden Calf
c.1799–1800