In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- William Blake 1757–1827
- Medium
- Engraving on paper
- Dimensions
- Image: 174 x 230 mm
- Collection
- Tate
- Acquisition
- Purchased 1996
- Reference
- T07048
Explore
- emotions, concepts and ideas(16,945)
- universal concepts(6,517)
- humour(1,423)
- emotions and human qualities(5,380)
- happiness(261)
- universal concepts(6,517)
- interiors(4,587)
- objects(23,701)
- fine arts and music(3,780)
- clothing and personal items(6,038)
- fan(69)
- weapons(993)
- religious and ceremonial(1,737)
- reading, writing, printed matter(5,174)
- book - non-specific(1,974)
- people(35,873)
You might like
-
William Blake The Fall of Rosamond (after Thomas Stothard)
1783 -
William Blake Queen Elizabeth and Essex (after Henry Fuseli)
1797, published 1798 -
Prints after William Hogarth Satan, Sin and Death, engraved by Thomas Rowlandson and John Ogbourne after T00790
1792 -
William Blake Alfred and the Neat-Herd’s Wife (after Henry Fuseli)
1797, published 1798 -
William Blake Wat Tyler and the Tax-Gatherer (after Henry Fuseli)
1797, published 1798 -
William Blake King John Absolved by Pandulph (after Henry Fuseli)
1797, published 1798 -
James Barry The Phoenix or the Resurrection of Freedom
1776–1808 -
James Barry The Distribution of Premiums in the Society of Arts
first published 1792 -
James Barry The Distribution of Premiums in the Society of Arts
first published 1792 -
William Blake Christ Appearing to the Apostles after the Resurrection
c.1795 -
John Flaxman Design for the Setting of a Classical Statue; and a Farewell Scene, Figures in Classical Costume. ?Sophocles
date not known -
Prints after William Hogarth Dr Benjamin Hoadly, Bishop of Winchester, engraved by Thomas Cook
c.1800 -
James Barry The Thames, or the Triumph of Navigation
first published 1792 -
Thomas Stothard Design for a Monument
date not known -
William Blake Moses Indignant at the Golden Calf
c.1799–1800