In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- John Scarlett Davis 1804–1845
- Medium
- Graphite and watercolour on paper
- Dimensions
- Support: 130 x 95 mm
- Collection
- Tate
- Acquisition
- Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996
- Reference
- T10574
Explore
- nature(46,524)
- people(35,850)
- actions: postures and motions(9,285)
- arm / arms raised(842)
- adults(23,435)
- man(10,873)
- actions: processes and functions(2,184)
- looking / watching(588)
- actions: postures and motions(9,285)
- religion and belief(8,393)
- mysticism(2,611)
- vision(678)
- universal religious imagery(878)
- cherub(26)
- mysticism(2,611)
- objects(23,664)
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John Scarlett Davis After Titian: Francis I, in the Louvre
1830
John Scarlett Davis After Watteau, Two Figures and a Putto, in the Louvre
1831
John Scarlett Davis After Correggio: Seated Female Figure, in the Louvre
1831
John Scarlett Davis After F. Albano: Death of an Infant
1831
John Scarlett Davis After Van Dyck: Portrait of a Girl, in the Louvre
1831
John Scarlett Davis After Velasquez, The Infanta Margarita, in the Louvre
1831
John Scarlett Davis After Titian’s Holy Family (with Hare) in the Louvre
1831
John Scarlett Davis ?After Velasquez, Dwarf and Dog, in the Louvre. Verso: Head of a Bearded Man in Profile
1831
John Scarlett Davis Paris: Capitals in the Ancient Abbey of St Martin
1831
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John Scarlett Davis Paris: Column in the Church of St Bennett
1831
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John Scarlett Davis An Annunciation, after ?
1831
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John Scarlett Davis Paris: Remains of the Archbishop’s Palace, Notre Dame. Verso: Sketches
1831