In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- After Susanna Duncombe (née Susanna Highmore) 1725–1812
- Medium
- Etching on paper
- Dimensions
- Image: 58 x 68 mm
- Collection
- Tate
- Acquisition
- Presented by Mrs Joan Highmore Blackhall and Dr R.B. McConnell 1986
- Reference
- T04317
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You might like
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After Susanna Duncombe (née Susanna Highmore) A Discussion on Painting (Vol. IV, The Art of Poetry), engraved by A. Walker
c.1766 -
After Susanna Duncombe (née Susanna Highmore) An Assembly of Shepherds (Vol. I, Book II, Ode 19), engraved by A. Walker
c.1766 -
After Susanna Duncombe (née Susanna Highmore) A Family Scene: A Boy Finds Himself in the Glass
date not known -
After Susanna Duncombe (née Susanna Highmore) A Scene in a Town Square (Vol. III, Book I, Satire 9), engraved by A. Walker
c.1766 -
After Susanna Duncombe (née Susanna Highmore) A Youth Asleep, Surrounded by Animals (Vol. II, Book III, Ode 4), engraved by A. Walker
c.1766 -
Prints after William Hogarth The Staymaker, engraved by Joseph Haynes
1782 -
Prints after William Hogarth Satan, Sin and Death, engraved by Thomas Rowlandson and John Ogbourne after T00790
1792 -
Susanna Duncombe (née Susanna Highmore) A Continental Street Scene with a Shrine
date not known -
Susanna Duncombe (née Susanna Highmore) Athena Seated in a Doorway, Attended by Three Female Figures (Fragment)
date not known -
Susanna Duncombe (née Susanna Highmore) Mythological Scene, with a Warrior Addressing a Lady outside a Classical Mansion, Two Maidens Riding Unicorns behind
date not known -
Susanna Duncombe (née Susanna Highmore) The Ghost Scene from ‘The Castle of Otranto’
date not known -
Susanna Duncombe (née Susanna Highmore) Mythological Scene, with a Warrior Riding an Airborne Monster above a Landscape with Classical Figures
date not known -
William Blake The Fall of Rosamond (after Thomas Stothard)
1783 -
Susanna Duncombe (née Susanna Highmore) Vignette with Cupids and a Courting Couple in a Library
date not known -
Prints after William Hogarth Four Prints of an Election, plate 2: Canvassing for Votes, engraved by Charles Grignion
1757, published 1758