Angus Fairhurst

Gallery Connections

1991–6

© The estate of Angus Fairhurst

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Not on display
Artist
Angus Fairhurst 1966–2008
Medium
Metal, wood, glass, walkman, amplifier, speakers, headphones, cables and audio
Dimensions
Unconfirmed: 645 x 110 x 450 mm
Collection
Tate
Acquisition
Presented by the Patrons of New Art (Special Purchase Fund) through the Tate Gallery Foundation 1997
Reference
T07294

Display caption

Angus Fairhurst is an influential member of the group of artists associated with London's Goldsmiths College in the late 1980s. Gallery Connections, 1991, is based on recordings of a series of contrived telephone exchanges between unwitting gallery employees. Fairhurst rang two different galleries simultaneously and then held the handsets together. He himself does not participate and remains silent, while the speakers who are initially disoriented, gradually become more hostile. The transparent desk exposes the sound equipment supposedly 'hidden' inside, subverting any sense of surveillance.

Gallery label, August 2004

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Young British Artists (YBAs)

Features

Angus Fairhurst, ‘Gallery Connections’ 1991–6

The Management of Display Equipment in Time-based Media Installations

Pip Laurenson

Time-based media installations are works of art that incorporate audio, film, video, 35 mm slides or computer-based elements. This paper ...

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Angus Fairhurst, ‘Gallery Connections’ 1995

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1995
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1996
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1992
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1993
Angus Fairhurst, ‘[no title]’ 1994

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1994
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Angus Fairhurst, ‘When I woke up in the morning, the feeling was still there 4’ 1997

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1997
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1997
Angus Fairhurst, ‘Unprinted II’ 2006

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2006
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Angus Fairhurst, ‘When I woke up in the morning, the feeling was still there 1’ 1997

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1997
Angus Fairhurst, ‘When I woke up in the morning, the feeling was still there 3’ 1997

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1997
Angus Fairhurst, ‘Unprinted I’ 2005

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2005
View by appointment
Angus Fairhurst, ‘Unprinted III’ 2006

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2006
View by appointment
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1994–5
Damien Hirst, ‘Pharmacy’ 1992

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1992
Pawel Althamer, ‘Foksal Gallery Foundation’ 2004

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2004