León Ferrari

Hitler with Children + Videla and Massera with Children

1995–6, 2007

Not on display

Artist: León Ferrari 1920–2013
Part of: Never Again
Original title: Hitler con chicos + Videla y massera con chicos
Medium: Digital print on paper
Dimensions: Support: 420 × 297 mm
Collection: Tate
Acquisition: Presented by Alicia and León Ferrari 2008
Reference: P79548

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- - politics: Argentina, ‘The Dirty War’, 1976-1983(126)
objects(23,377)
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- - hat(1,460)
  - hat, cap(362)
  - uniform / kit(340)
people(35,142)
- actions: expressive(2,655)
- - embracing(432)
- adults(22,735)
- - man(10,497)
- children(3,423)
- - boy(1,176)
  - girl(1,121)
- named individuals(12,534)
- - Hitler, Adolf(27)
  - Massera, Emilio Eduardo(7)
  - Videla, Jorge Rafael(12)
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León Ferrari

Hitler with Children + Videla and Massera with Children

1995–6, 2007

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León Ferrari Nuncio Pío Larghi Greets Massera, Videla and Agosti on 9/7/77 (Photo: Public Records Office) + El Nuncio Torregrossa greets Hitler

León Ferrari Videla, Massera and Agosti + ‘Clarín’ 21/8/76

León Ferrari Hitler Greets the Catholic Abbot Schachteitner and Muller, Reich Bishop + Jorge Videla Greets Cardinal Aramburu

León Ferrari Monument to the Fallen in the Malvinas + F. Galtieri, Jorge Videla and Lambruschini (Photo: Public Records Office)

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León Ferrari Videla, Massera and Agosti with Monsignor Tortolo, Vicar of the Armed Forces (Photo: A. Kacero) + ‘The Last Judgment’ by Giotto, Capella degli Scrovegni, Padua 1306

León Ferrari Cardinal Antonio Quarracino (Photo: Tony Valdez) + Jorge Videla

León Ferrari Videla, Massera, Agosti and Cardinal Aramburu (Photo: Loiácono) + ‘Dante’s Inferno’ by Doré, 1860

León Ferrari ‘The Inferno’ by P. de Limbourg + Jorge Videla and Cardinal Aramburu

León Ferrari ‘Infernal Tortures’ from the Book ‘Grant Kalendrier des Bergieres’ + Officer Saluting (Photo: Tony Valdez)

León Ferrari ‘The Four Avenging Angels of Euphrates’, Dürer, c. 1500 + ‘The Departure of the Warrior’, by Arno Breker, Sculptor from the Third Reich, c. 1939

León Ferrari Hitler + The ‘Casa Rosada’ + Videla

León Ferrari Giotto’s ‘Inferno’ + Massera

León Ferrari The Frigate ‘Escuela Libertad’ + Massera (Photo: Public Records Office) + Articles from the Newspapers ‘La Razón’ 6/9/76, ‘La Opinión’ 29/5 and 11/5/76 and ‘La Prensa’ 3/5/76

León Ferrari Attack Against the AMIA (Photo: Tony Valdez) + ‘Never Again’, p. 48

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Share this page

Not on display

Explore

You might like

León Ferrari Nuncio Pío Larghi Greets Massera, Videla and Agosti on 9/7/77 (Photo: Public Records Office) + El Nuncio Torregrossa greets Hitler

León Ferrari Videla, Massera and Agosti + ‘Clarín’ 21/8/76

León Ferrari Hitler Greets the Catholic Abbot Schachteitner and Muller, Reich Bishop + Jorge Videla Greets Cardinal Aramburu

León Ferrari Monument to the Fallen in the Malvinas + F. Galtieri, Jorge Videla and Lambruschini (Photo: Public Records Office)

León Ferrari Hitler with Christian Dignitaries + Galtieri, Lambruschini and Viola with Nuncio Calabresi and Cardinal Aramburu

León Ferrari Videla, Massera and Agosti with Monsignor Tortolo, Vicar of the Armed Forces (Photo: A. Kacero) + ‘The Last Judgment’ by Giotto, Capella degli Scrovegni, Padua 1306

León Ferrari Cardinal Antonio Quarracino (Photo: Tony Valdez) + Jorge Videla

León Ferrari Videla, Massera, Agosti and Cardinal Aramburu (Photo: Loiácono) + ‘Dante’s Inferno’ by Doré, 1860

León Ferrari ‘The Inferno’ by P. de Limbourg + Jorge Videla and Cardinal Aramburu

León Ferrari ‘Infernal Tortures’ from the Book ‘Grant Kalendrier des Bergieres’ + Officer Saluting (Photo: Tony Valdez)

León Ferrari ‘The Four Avenging Angels of Euphrates’, Dürer, c. 1500 + ‘The Departure of the Warrior’, by Arno Breker, Sculptor from the Third Reich, c. 1939

León Ferrari Hitler + The ‘Casa Rosada’ + Videla

León Ferrari Giotto’s ‘Inferno’ + Massera

León Ferrari The Frigate ‘Escuela Libertad’ + Massera (Photo: Public Records Office) + Articles from the Newspapers ‘La Razón’ 6/9/76, ‘La Opinión’ 29/5 and 11/5/76 and ‘La Prensa’ 3/5/76

León Ferrari Attack Against the AMIA (Photo: Tony Valdez) + ‘Never Again’, p. 48

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