In Tate Modern
- Artist
- León Ferrari 1920–2013
- Part of
- L’Osservatore Romano
- Medium
- Digital print on paper
- Dimensions
- Support: 420 × 297 mm
- Collection
- Tate
- Acquisition
- Presented by Alicia and León Ferrari 2008
- Reference
- P79572
Explore
- history(5,785)
- fine arts and music(3,769)
-
- print(139)
- dagger / knife(38)
- lance(16)
- group(4,247)
- mythical, religious, fictional(263)
-
- Hell(93)
- Christianity(2,755)
- Christianity, Roman Catholicism(517)
- devil(75)
- crime and punishment(440)
- human rights(298)
- torture(59)
- inscriptions(6,688)
-
- printed text(1,144)
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León Ferrari [no title]
2001, reproduced 2007 -
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León Ferrari [no title]
2001, reproduced 2007 -
León Ferrari [no title]
2001, reproduced 2007 -
León Ferrari [no title]
2001, reproduced 2007 -
León Ferrari [no title]
2001, reproduced 2007 -
León Ferrari [no title]
2001, reproduced 2007 -
León Ferrari [no title]
2001, reproduced 2007 -
León Ferrari [no title]
2001, reproduced 2007 -
León Ferrari [no title]
2001, reproduced 2007 -
León Ferrari Videla, Massera, Agosti and Cardinal Aramburu (Photo: Loiácono) + ‘Dante’s Inferno’ by Doré, 1860
1995–6, 2007 -
León Ferrari The Army Mechanical School + Detail of ‘The Last Judgment’ by Memling
1995–6, 2007