Not on display
- Artist
- William Gear 1915–1997
- Medium
- Oil paint on canvas
- Dimensions
- Support: 1160 × 890 mm
frame: 1323 × 1054 × 55 mm - Collection
- Tate
- Acquisition
- Purchased 1991
- Reference
- T05850
Display caption
The Scottish artist William Gear was in Paris after the war and was briefly associated with the International expressionist Cobra group. This work demonstrates how he moved away from Cobra towards the kind of controlled abstraction being practiced by a number of the younger French painters in which a prominent grid structure is combined with references to landscape. In this painting the artist disposes areas of natural colour to suggest a crystalline structure in nature.
Gallery label, August 2004
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- abstraction(9,912)
-
- non-representational(6,739)
-
- geometric(3,114)
You might like
-
Wilhelmina Barns-Graham White, Black and Yellow (Composition February)
1957 -
Wilhelmina Barns-Graham Composition February I
1954 -
William Gear The Sculptor
1953 -
Kenneth Martin Composition
1949 -
William Scott Orange, Black and White Composition
1953 -
Wilhelmina Barns-Graham Red Form
1954 -
Wilhelmina Barns-Graham Glacier Crystal, Grindelwald
1950 -
William Gear Feature in Landscape
1960 -
Judith Rothschild Untitled Composition
1945 -
Sergio Romiti Composition
1960 -
Serge Poliakoff Abstract Composition
1954 -
Shafic Abboud Composition
c.1957–8 -
John Tunnard Composition
1942 -
Saloua Raouda Choucair Composition with Two Ovals
1951 -
Anthony Hill Orthogonal / Diagonal Composition
1954