Not on display
- Artist
- Alfred Glendening 1861–1907
- Medium
- Watercolour on paper
- Dimensions
- Support: 597 × 914 mm
- Collection
- Tate
- Acquisition
- Presented by the Trustees of the Chantrey Bequest 1898
- Reference
- N01718
Catalogue entry
N01718 HAYMAKING 1898
Inscr. ‘AG [in monogram] 1898’ b.r.
Watercolour, 23 1/2×36 (60×91).
Chantrey Purchase from the artist 1898.
Exh: R.A., 1898 (1096).
Lit:
E. T. Cook, A Popular Handbook to the Tate Gallery, 1898, p.271.
The mowers are holding their scythes the wrong way round.
Published in:
Mary Chamot, Dennis Farr and Martin Butlin, The Modern British Paintings, Drawings and Sculpture, London 1964, I
Explore
- nature(45,225)
- plants and flowers(2,712)
-
- grass(245)
- trees(3,276)
-
- tree(2,513)
- water: inland(11,140)
-
- river(7,986)
- agriculture, gardening & fishing(953)
-
- scythe(27)
- agriculture and fishing(1,286)
-
- harvesting(174)
You might like
-
Frederick Walker The Old Gate
1874–5 -
James Clarke Hook The Seaweed Raker
1889 -
Frederick Walker Study for ‘The Harbour of Refuge’
c.1872 -
Lady Edna Clarke Hall Seated Woman
c.1899 -
Lionel Percy Smythe Germinal
1889 -
Sir Edward Coley Burne-Jones, Bt Ruth and Boaz
1879 -
Lady Edna Clarke Hall The Earnshaw Family by the Fireside
c.1899 -
Henry Silkstone Hopwood Industry
1894 -
Sir Hamo Thornycroft The Mower
1888–90 -
David Jones Drawing of a leopard and tiger
1901–2 -
Robert Bevan Ploughing in Brittany. Verso: Study of a Woman
1893 -
Lady Edna Clarke Hall Study for Catherine. Verso: Upminster Common
1902 -
David Jones Study of ‘Severin’ Cargo Steamship
[c.1907] -
Lady Edna Clarke Hall Catherine Leaning on a Wall
c.1900–5 -
Myles Birket Foster Eel Bucks
c.1890